Art and society
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The concept Art and society represents the subject, aboutness, idea or notion of resources found in Colby College Libraries.
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Art and society
Resource Information
The concept Art and society represents the subject, aboutness, idea or notion of resources found in Colby College Libraries.
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- Art and society
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- http://id.worldcat.org/fast/00815432
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200 Items that share the Concept Art and society
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- 20th-century boy : notebooks of the seventies
- A place in the sun : the Southwest paintings of Walter Ufer and E. Martin Hennings
- African art reframed : reflections and dialogues on museum culture
- Allan Kaprow and Claes Oldenburg : art, happenings, and cultural politics
- America after the fall : painting in the 1930s
- American artists against war, 1935-2010
- American interventions and modern art in South America
- American moderns, 1910-1960 : from O'Keeffe to Rockwell
- American women artists, 1935-1970 : gender, culture, and politics
- Anarchism and art : democracy in the cracks and on the margins
- Ancient magic and the supernatural in the modern visual and performing arts
- Angel De Cora, Karen Thronson, and the art of place : how two Midwestern women used art to negotiate migration and dispossession
- Art and its worlds : exhibitions, institutions and art becoming public
- Art and migration : revisioning the borders of community
- Art and protest in Putin's Russia
- Art and the formation of early medieval England
- Art and the politics of visibility : contesting the global, local and the in-between
- Art in Britain, 1660-1815
- Art insight : understanding art and why it matters
- Art of the islands : Celtic, Pictish, Anglo-Saxon and Viking visual culture, c.450-1050
- Art patronage, family, and gender in Renaissance Florence : the Tornabuoni
- Art systems : Brazil and the 1970s
- Art to come : histories of contemporary art
- Art wars : the politics of taste in nineteenth-century New York
- Art, borders and belonging : on home and migration in the twenty-first century
- Artistic representations of suffering : rights, resistance, and remembrance
- Artists and artistic production in ancient Greece
- Ashcan art, whiteness, and the unspectacular man
- At the crossroads : Diego Rivera and his patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts
- Atmospheric architectures : the aesthetics of felt spaces
- Autonomy : the social ontology of art under capitalism
- Bad new days : art, criticism, emergency
- Banking on beauty : Millard Sheets and midcentury commercial architecture in California
- Baroque Naples and the industry of painting : the world in the workbench
- Beauty in the city : the Ashcan school
- Belonging and betrayal : how Jews made the art world modern
- Between the pagan past and Christian present in Byzantine visual culture : statues in Constantinople, 4th-13th centuries CE
- Beyond the great wave : the Japanese landscape print, 1727-1960
- Boom : mad money, mega dealers, and the rise of contemporary art
- Bouguereau & America
- Bound by creativity : how contemporary art is created and judged
- Bourdieu in question : new directions in French sociology of art
- British art and the First World War, 1914-1924
- Buen gusto and classicism in the visual cultures of Latin America, 1780-1910
- California Mexicana : missions to murals, 1820-1930
- Canadian painters in a modern world, 1925-1955 : writings and reconsiderations
- Caught in a whirlwind : a cultural history of Ottoman Baghdad as reflected in its illustrated manuscripts
- Chicano and Chicana art : a critical anthology
- Circulation
- Climate change and the new polar aesthetics : artists reimagine the Arctic and Antarctic
- Collecting prints, posters, and ephemera : perspectives in a global world
- Consuming surrealism in American culture : dissident modernism
- Contemporary art and the digitization of everyday life
- Contested image : defining Philadelphia for the twenty-first century
- Court, country, city : British art and architecture, 1660-1735
- Creative reckonings : the politics of art and culture in contemporary Egypt
- Cult of the machine : precisionism and American art
- Culture and crisis in the Arab world : art, practice and production in spaces of conflict
- Dark mirror : the medieval origins of anti-Jewish iconography
- Decolonizing culture : essays on the intersection of art and politics
- Democratising beauty in nineteenth-century Britain : art and the politics of public life
- Design literacy : understanding graphic design
- Digital dynamics in Nordic contemporary art
- Disability and art history
- Discomfort food : the culinary imagination in late nineteenth-century French art
- Dissidence : the rise of Chinese contemporary art in the West
- Dutch art and urban cultures, 1200-1700
- Ecocriticism and the anthropocene in nineteenth-century art and visual culture
- Ein Urlaubstag im Kunstbetrieb : Bilder und Nachbilder
- Exhibition as social intervention : 'Culture in action' 1993
- Fashionable art
- Fierce poise : Helen Frankenthaler and 1950s New York
- Figurines in Hellenistic Babylonia : miniaturization and cultural hybridity
- Foreign artists and communities in modern Paris, 1870-1914 : strangers in paradise
- Form, art and the environment : engaging in sustainability
- Former West : art and the contemporary after 1989
- Gender, space, and the gaze in post-Haussmann visual culture : beyond the flâneur
- Global art and the Cold War
- Global trade and visual arts in federal New England
- Graphic design history : a critical guide
- Greek art in context : archaeological and art historical perspectives
- Health
- Horace Vernet and the thresholds of nineteenth-century visual culture
- Hybrid practices : art in collaboration with science and technology in the long 1960s
- I stand in my place with my own day here : site-specific art at The New School
- Iconomy : towards a political economy of images
- Identity unknown : rediscovering seven American women artists
- In the courts of religious ladies : art, vision, and pleasure in Italian Renaissance convents
- Industry and intelligence : contemporary art since 1820
- Invisible colors : the arts of the atomic age
- JR : can art change the world?
- Jewellery in the age of modernism 1918-1940 : adornment and beyond
- John Singer Sargent & Chicago's Gilded Age
- Kentucky by design : the decorative arts and American culture
- Kiki Man Ray : art, love, and rivalry in 1920s Paris
- Kristeva reframed : interpreting key thinkers for the arts
- Landscape painting in revolutionary France : liberty's embrace
- Lens, laboratory, landscape : observing modern Spain
- Life in plastic : artistic responses to petromodernity
- Life is a highway : art and American car culture
- Louise Jopling : a biographical and cultural study of the modern woman artist in Victorian Britain
- Making and moving sculpture in early modern Italy
- Making modernity in the Islamic Mediterranean
- Manufacturing the modern patron in Victorian California : cultural philanthropy, industrial capital, and social authority
- Mao's images : artists and China's 1949 transition / Yan Geng
- Material inspirations : the interests of the art object in the nineteenth century and after
- Materializing gender in eighteenth-century Europe
- Modernity in black and white : art and image, race and identity in Brazil, 1890-1945
- Monument Lab : creative speculations for Philadelphia
- More than meets the eye : what blindness brings to art
- Moscow vanguard art : 1922-1992
- México inside out : themes in art since 1990
- Never alone, except for now : art, networks, populations
- No laughing matter : visual humor in ideas of race, nationality, and ethnicity
- No machos or pop stars : when the Leeds art experiment went punk
- Out of sight : the Los Angeles art scene of the sixties
- Outliers and American vanguard art
- Painted in Mexico, 1700-1790 : Pinxit Mexici / edited by Ilona Katzew ; with essays and entries by exhibition co-curators Ilona Katzew, Jaime Cuadriello, Paula Mues Orts, and Luisa Elena Alcalá ; additional entries by Ronda Kasl
- Painting by numbers : data-driven histories of nineteenth-century art
- Paolo Veronese and the practice of painting in late Renaissance Venice
- Photography and its publics
- Pictures-within-pictures in nineteenth-century Britain
- Picturing
- Picturing Russia's men : masculinity and modernity in nineteenth-century painting
- Practices of looking : an introduction to visual culture
- Propaganda art in the 21st century
- Public statues across time and cultures
- REMEX : toward an art history of the NAFTA era
- Race experts : sculpture, anthropology, and the American public in Malvina Hoffman's Races of mankind
- Radical form : modernist abstraction in South America
- Rarities of these lands : art, trade, and diplomacy in the Dutch Republic
- Reassessing the roles of women as 'makers' of medieval art and architecture
- Rendering violence : riots, strikes, and upheaval in nineteenth-century American art
- Representing infirmity : diseased bodies in Renaissance Italy
- Roman artists, patrons, and public consumption : familiar works reconsidered
- Screen ecologies : art, media, and the environment in the Asia-Pacific region
- Sculpting doughboys : memory, gender, and taste in America's World War I memorials
- Since '45 : America and the making of contemporary art
- Slavery, geography and empire in nineteenth-century marine landscapes of Montreal and Jamaica
- Social work research using arts-based methods
- Stage and picture in the English Renaissance : the mirror up to nature
- Still lives : death, desire, and the portrait of the old master
- Striking resemblance : the changing art of portraiture
- Suzanne Lacy : we are here
- Technics improvised : activating touch in global media art
- Teresa Margolles : what else could we talk about?
- Textiles, community and controversy : The knitting map
- The American school : artists and status in the late-colonial and early national era
- The Bible and the printed image in early modern England : Little Gidding and the pursuit of scriptural harmony
- The Evolution of the Image : Political Action and the Digital Self
- The Obama portraits
- The Russian canvas : painting in imperial Russia, 1757-1881
- The Soul of a nation reader : writings by and about Black American artists, 1960-1980
- The afterlives of Greek sculpture : interaction, transformation, and destruction
- The art collector in early modern Italy : Andrea Odoni and his Venetian palace
- The art of secularism : the cultural politics of modernist art in contemporary India
- The art of the city
- The black figure in the European imaginary
- The boundaries of art and social space in Rome : the caged bird and other art forms
- The contemporaries : travels in the 21st-century art world
- The conversation piece : making modern art in eighteenth-century Britain
- The darker side of light : arts of privacy, 1850-1900
- The futurist files : avant-garde, politics, and ideology in Russia, 1905-1930
- The graphic art of the underground : a countercultural history
- The invention of Norman visual culture : art, politics, and dynastic ambition
- The lure of the social : encounters with contemporary artists
- The making of a modern art world : institutionalisation and legitimatisation of Guohua in Republican Shanghai
- The myth of Nouveau réalisme : art and the performative in postwar France
- The noisemakers : Estridentismo, vanguardism, and social action in postrevolutionary Mexico
- The people's galleries : art museums and exhibitions in Britain, 1800-1914
- The persistence of taste : art, museums, and everyday life after Bourdieu
- The politics of contemporary art biennials : spectacles of critique, theory and art
- The poster : art, advertising, design, and collecting, 1860s-1900s
- The shock of the new
- The spectacle of skill : selected writings of Robert Hughes
- The sphinx contemplating Napoleon : global perspectives on contemporary art and difference
- The tiger in the smoke : art and culture in post-war Britain
- Theaster Gates
- Theater and spectacle in the art of the Roman Empire
- To describe a life : notes from the intersection of art and race terror
- Touched bodies : the performative turn in Latin American art
- Traditions in transition : change and material culture in 19th-century Texas, the lower South, and the Southwest : The David B. Warren Symposium, volume 6
- Transnational perspectives on feminism and art, 1960-1985
- Unsettling Canadian art history
- Value in art : Manet and the slave trade
- Van Gogh on demand : China and the readymade
- Victor Arnautoff and the politics of art
- Visibly Canadian : imaging collective identities in the Canadas, 1820-1910
- Visual culture and the Revolutionary and Napoleonic Wars
- Visual culture in contemporary China : paradigms and shifts
- Wages against artwork : decommodified labor and the claims of socially engaged art
- Warhol's working class : pop art and egalitarianism
- When home won't let you stay : migration through contemporary art
- Women artists in expressionism : from empire to emancipation
- Women, art and money in late Victorian and Edwardian England : the hustle and the scramble
- Women, art and the New Deal
- Women, gender and art in Asia, c. 1500-1900
- Work sights : the visual culture of industry in nineteenth-century America
- World War I and American art
- ¡Printing the revolution! : the rise and impact of Chicano graphics, 1965 to now
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.colby.edu/resource/nicsa7KA4_M/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.colby.edu/resource/nicsa7KA4_M/">Art and society</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.colby.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.colby.edu/">Colby College Libraries</a></span></span></span></span></div>
