Visualizing Guadalupe : from Black Madonna to Queen of the Americas
Resource Information
The work Visualizing Guadalupe : from Black Madonna to Queen of the Americas represents a distinct intellectual or artistic creation found in Colby College Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Visualizing Guadalupe : from Black Madonna to Queen of the Americas
Resource Information
The work Visualizing Guadalupe : from Black Madonna to Queen of the Americas represents a distinct intellectual or artistic creation found in Colby College Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Visualizing Guadalupe : from Black Madonna to Queen of the Americas
- Title remainder
- from Black Madonna to Queen of the Americas
- Statement of responsibility
- by Jeanette Favrot Peterson
- Subject
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- Art
- Art and society -- Mexico
- Art and society -- Mexico
- Art and society -- Spain
- Art and society -- Spain
- Black Madonnas -- Mexico
- Black Madonnas -- Mexico
- Black Madonnas -- Spain
- Black Madonnas -- Spain
- Christian art and symbolism -- Mexico -- Modern period, 1500-
- Christian art and symbolism -- Mexico -- Modern period, 1500-
- Christian art and symbolism -- Spain -- Modern period, 1500-
- Christian art and symbolism -- Spain -- Modern period, 1500-
- Guadalupe, Our Lady of -- Art
- Guadalupe, Our Lady of -- Art
- ART / Caribbean & Latin American
- ART / European
- ART / Subjects & Themes / Religious
- Art
- Language
- eng
- Summary
-
- "The Virgin of Guadalupe is famously migratory, traversing continents and crossing and recrossing oceans. Guadalupe's earliest cult originated in medieval Iberia, where Our Lady of Guadalupe from Extremadura, Spain, played a significant role in the reconquista and garnered royal backing. The Spanish Guadalupe accompanied the conquistadors as part of the spiritual arsenal used to Christianize the Americas, where new images of the Virgin acted as catalysts to implant her devotion within multiethnic constituencies.. This masterful study by Jeanette Favrot Peterson traces the transmission of Guadalupe as la Virgen de ida y vuelta from Spain to the Americas and back again, analyzing how the Spanish and Mexican titular images, and a selection of the copies they inspired, operated within the overlapping spheres of religion and politics. Peterson explores two central paradoxes: that only through a material object can a divine and invisible presence be authenticated and that Guadalupe's images were made to work for enacting revolutionary change while preserving the colonial status quo. She examines the artists who created images of Guadalupe, their patrons, and the diverse viewing audiences for whom those images were intended. This exegesis reveals that visual evidence functioned on a par with written texts (treatises, chronicles, and sermons of ecclesiastical officialdom) in measuring popular beliefs and political strategies."--
- "Spanning more than three hundred years and straddling several continents, this image-based survey analyzes the iconography and political ramifications of both the medieval Spanish devotion to Guadalupe, a black Madonna, and her American counterparts in South America and Mexico. Peterson explores the power of images that operate within the overlapping spheres of religion and political life. As a symbol both of conquest and liberation, Guadalupe embodies the ambivalence and tension of a powerful image that historically fostered independence and yet simultaneously, as a symbol of colonial authority, endorsed the very political structure it was often deployed to overthrow"--
- Assigning source
-
- Provided by publisher
- Provided by publisher
- Cataloging source
- DLC
- Government publication
- government publication of a state province territory dependency etc
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- Nature of contents
- bibliography
- Series statement
- Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture
Context
Context of Visualizing Guadalupe : from Black Madonna to Queen of the AmericasWork of
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.colby.edu/resource/OzOMkfM-I-I/" typeof="CreativeWork http://bibfra.me/vocab/lite/Work"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.colby.edu/resource/OzOMkfM-I-I/">Visualizing Guadalupe : from Black Madonna to Queen of the Americas</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.colby.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.colby.edu/">Colby College Libraries</a></span></span></span></span></div>