[Skowhegan lecture archive], 2005
Resource Information
The work [Skowhegan lecture archive], 2005 represents a distinct intellectual or artistic creation found in Colby College Libraries. This resource is a combination of several types including: Work, Audio, Nonmusical, Sounds, Music.
The Resource
[Skowhegan lecture archive], 2005
Resource Information
The work [Skowhegan lecture archive], 2005 represents a distinct intellectual or artistic creation found in Colby College Libraries. This resource is a combination of several types including: Work, Audio, Nonmusical, Sounds, Music.
- Label
- [Skowhegan lecture archive], 2005
- Statement of responsibility
- Hammond, Jane
- Inclusive dates
- 2005
- Subject
-
- Hammond, Jane, 1950-
- Hammond, Jane, 1950-
- Lectures
- Lectures
- Painters -- United States
- Painters -- United States
- Skowhegan School of Painting and Sculpture
- Skowhegan School of Painting and Sculpture
- Sound recordings
- Sound recordings
- Speaches
- Speeches
- Speeches
- Women artists -- United States
- Women artists -- United States
- Art, American -- 21st century
- Art, American -- 21st century
- Language
- eng
- Summary
-
- Artist Jane Hammond talks about the circumstances and thinking that led her from sculpture to painting and then to develop her unique lexicon of 276 symbols, which allows her to maintain continuity in her work without sacrificing the freedom to explore a variety of styles, techniques and ideas. After showing samples of earlier work built around this lexicon, the speaker devotes considerable time to a body of work done in collaboration with the poet, John Ashbery. Hammond closes with some examples of her work in creating fiction from fact by merging images in photographs which she has collected
- Jane Hammond discusses her development as a painter since receiving an MFA in sculpture in 1977. She explains her early approaches to painting, how conceptualist and minimalist biases have shaped her work, and her tendency to work mainly from found information, creating fiction from fact through combination and juxtaposition. Hammond goes on to discuss her collaboration with poet John Ashbery, who made titles that Hammond then used as "armatures" for a large group of paintings
- Note
- Forms part of Skowhegan lecture archive
- Cataloging source
- CBY
- Date time place
- Lecture recorded at the Skowhegan School of Painting and Sculpture: 2005
- Form of composition
- not applicable
- Format of music
- not applicable
- Literary text for sound recordings
- lectures speeches
- Location of originals duplicates
-
- Archives of American Art,
- Art Institute of Chicago,
- Clark Art Institute,
- Colby College Museum of Art,
- Getty Research Institute,
- Museum of Modern Art,
- San Francisco Museum of Modern Art,
- Series statement
- Skowhegan lecture archive
- Target audience
- general
Context
Context of [Skowhegan lecture archive], 2005Work of
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.colby.edu/resource/GAIblMGgt9Y/" typeof="CreativeWork http://bibfra.me/vocab/lite/Work"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.colby.edu/resource/GAIblMGgt9Y/">[Skowhegan lecture archive], 2005</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.colby.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.colby.edu/">Colby College Libraries</a></span></span></span></span></div>