The Renaissance discovery of violence, from Boccaccio to Shakespeare

Resource Information

The work The Renaissance discovery of violence, from Boccaccio to Shakespeare represents a distinct intellectual or artistic creation found in Colby College Libraries. This resource is a combination of several types including: Work, Language Material, Books.

Label

The Renaissance discovery of violence, from Boccaccio to Shakespeare

Statement of responsibility

Robert Appelbaum

Creator

• Appelbaum, Robert, 1952-
• Appelbaum, Robert, 1952-
• Appelbaum, Robert, 1952-

Author

• Appelbaum, Robert, 1952-
• Appelbaum, Robert, 1952-
• Appelbaum, Robert, 1952-

Subject

• Violence in literature
• Violence in literature
• Violence in literature
• Violence in literature
• 1450-1600
• Criticism, interpretation, etc
• European literature -- Renaissance
• European literature -- Renaissance, 1450-1600 -- History and criticism
• European literature -- Renaissance, 1450-1600 -- History and criticism
• European literature -- Renaissance, 1450-1600 -- History and criticism

Genre

• Criticism, interpretation, etc

Language

eng

Summary

Many have wondered why the works of Shakespeare and other early modern writers are so filled with violence, with murder and mayhem. This work explains how and why, putting the literature of the European Renaissance in the context of the history of violence. Personal violence was on the decline in Europe beginning in the fifteenth century, but warfare became much deadlier and the stakes of war became much higher as the new nation-states vied for hegemony and the New World became a target of a shattering invasion. The development of firearms caused a great change in the conduct of war and in the codes of militancy that warriors adopted. (By the early sixteenth century, it became apparent that the purpose of warfare was not to obtain a ritual advantage over one?s opponents, but to kill as many people as possible.) Meanwhile, writers became much more sensitive to the realities of violence and developed new genres to cope with them, including the novella, the epic romance, vernacular tragedy and even the utopia, whose first example, by Thomas More, was written as a critique of violence. There are times when Renaissance writers seem to celebrate violence, but more commonly they anatomized it, and were inclined to focus on victims as well as warriors on the horrors of violence as well as the need for force to protect national security and justice. In Renaissance writing, violence has lost its innocence

Member of

• Anthem studies in Renaissance literature and culture

Cataloging source

YDX

Index

index present

Literary form

non fiction

Nature of contents

bibliography

Series statement

Anthem studies in Renaissance literature and culture