The Resource The interaction of art and relics in late medieval and early modern art, edited by Livia Stoenescu ; [[essays by] Alison C. Fleming, Livia Stoenescu, Jérémie Koering [and five other]]
The interaction of art and relics in late medieval and early modern art, edited by Livia Stoenescu ; [[essays by] Alison C. Fleming, Livia Stoenescu, Jérémie Koering [and five other]]
Resource Information
The item The interaction of art and relics in late medieval and early modern art, edited by Livia Stoenescu ; [[essays by] Alison C. Fleming, Livia Stoenescu, Jérémie Koering [and five other]] represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Colby College Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item The interaction of art and relics in late medieval and early modern art, edited by Livia Stoenescu ; [[essays by] Alison C. Fleming, Livia Stoenescu, Jérémie Koering [and five other]] represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Colby College Libraries.
This item is available to borrow from 1 library branch.
- Summary
- The collection of essays gathered in this volume investigates the interaction between art and relics as a distinct historical relevance for devotional art of Early Modernity and the Renaissance. Recent studies in the material culture of artifacts from these periods have drawn increasing attention to a sense of material tangibility derived from relics. Putting that conclusion into perspective, this edited collection focuses on the aesthetic meaning generated by a specific material culture of sanctity - one in which artists based their practice upon the nature, variety, and history of relics. Works of art that contained relics shared in the aura of the relics, defining themselves as non-substitutable signs, or signs that preserved the physical relationship to the immutable nature and origin of relics. As studied in this volume, funerary monuments, chapel decorations, altarpieces, liturgical objects, and sacred sites yielded an unordinary aesthetic meaning, one that captured and at the same time transmitted the histories linked to a relic. Each chapter emphasizes the specific history contained within works of art premised upon relics and thus forever embedded in the relics' status as sacred originals
- Language
- eng
- Extent
- 185 pages
- Contents
-
- Cloe Cavero de Carondelet
- 3.
- Art and the Relics of St. Francis Xavier in Dialogue
- Alison C. Fleming
- II.
- RELICS INTEGRAL TO SACRED SPACES AND WORKS OF ART
- 4.
- The Interrelation of Curtains, Altarpieces, Relics: Domenico Ghirlandaio's Response to the Cult of the Volto Santo in Lucca Cathedral
- Sarah Cadagin
- 5.
- Machine generated contents note:
- Relics and the Visualization of the Christian Creed
- Suzanna Simor
- 6.
- The Place of Relics in Loca Sancta, Medieval Combinations, and the Catholic Reform
- Livia Stoenescu
- III.
- ARTISTS ENGAGING WITH RELICS
- 7.
- Michelangelo's Relics: Some Aspects of Artistic Devotion in Cinquecento Italy
- Jeremie Koering
- I.
- 8.
- The Piety of Glass: Relics and Issues of Materiality in the Reliquary of Mary Magdalene
- Sarah Dillon
- RELICS IN THE ART, DECORATION, AND ARCHITECTURAL MEMORY OF EARLY MODERN CHAPELS
- 1.
- Authenticating the Holy Body: Transitions between Relic and Image in the Early Modern Cults of Caterina de' Vigri and Maria Maddalena de' Pazzi
- Kristina Keogh
- 2.
- Reframing a Medieval Miracle in Early Modern Spain: The Origins of Our Lady del Sagrario of Toledo
- Isbn
- 9782503583983
- Label
- The interaction of art and relics in late medieval and early modern art
- Title
- The interaction of art and relics in late medieval and early modern art
- Statement of responsibility
- edited by Livia Stoenescu ; [[essays by] Alison C. Fleming, Livia Stoenescu, Jérémie Koering [and five other]]
- Subject
-
- History
- Relics
- Relics -- History -- 16th century
- Relics -- History -- 16th century
- Relics -- History -- To 1500
- Relics -- History -- To 1500
- To 1600
- Christian art and symbolism -- Medieval
- Christian art and symbolism -- Medieval, 500-1500
- Christian art and symbolism -- Medieval, 500-1500
- Christian art and symbolism -- Renaissance
- Christian art and symbolism -- Renaissance, 1450-1600
- Christian art and symbolism -- Renaissance, 1450-1600
- Language
- eng
- Summary
- The collection of essays gathered in this volume investigates the interaction between art and relics as a distinct historical relevance for devotional art of Early Modernity and the Renaissance. Recent studies in the material culture of artifacts from these periods have drawn increasing attention to a sense of material tangibility derived from relics. Putting that conclusion into perspective, this edited collection focuses on the aesthetic meaning generated by a specific material culture of sanctity - one in which artists based their practice upon the nature, variety, and history of relics. Works of art that contained relics shared in the aura of the relics, defining themselves as non-substitutable signs, or signs that preserved the physical relationship to the immutable nature and origin of relics. As studied in this volume, funerary monuments, chapel decorations, altarpieces, liturgical objects, and sacred sites yielded an unordinary aesthetic meaning, one that captured and at the same time transmitted the histories linked to a relic. Each chapter emphasizes the specific history contained within works of art premised upon relics and thus forever embedded in the relics' status as sacred originals
- Cataloging source
- YDX
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/relatedWorkOrContributorName
-
- Stoenescu, Livia,
- Fleming, Alison
- Koering, Jérémie,
- http://library.link/vocab/subjectName
-
- Christian art and symbolism
- Christian art and symbolism
- Relics
- Relics
- Christian art and symbolism
- Christian art and symbolism
- Relics
- Label
- The interaction of art and relics in late medieval and early modern art, edited by Livia Stoenescu ; [[essays by] Alison C. Fleming, Livia Stoenescu, Jérémie Koering [and five other]]
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
-
- text
- still image
- Content type code
-
- txt
- sti
- Content type MARC source
-
- rdacontent
- rdacontent
- Contents
-
- Cloe Cavero de Carondelet
- 3.
- Art and the Relics of St. Francis Xavier in Dialogue
- Alison C. Fleming
- II.
- RELICS INTEGRAL TO SACRED SPACES AND WORKS OF ART
- 4.
- The Interrelation of Curtains, Altarpieces, Relics: Domenico Ghirlandaio's Response to the Cult of the Volto Santo in Lucca Cathedral
- Sarah Cadagin
- 5.
- Machine generated contents note:
- Relics and the Visualization of the Christian Creed
- Suzanna Simor
- 6.
- The Place of Relics in Loca Sancta, Medieval Combinations, and the Catholic Reform
- Livia Stoenescu
- III.
- ARTISTS ENGAGING WITH RELICS
- 7.
- Michelangelo's Relics: Some Aspects of Artistic Devotion in Cinquecento Italy
- Jeremie Koering
- I.
- 8.
- The Piety of Glass: Relics and Issues of Materiality in the Reliquary of Mary Magdalene
- Sarah Dillon
- RELICS IN THE ART, DECORATION, AND ARCHITECTURAL MEMORY OF EARLY MODERN CHAPELS
- 1.
- Authenticating the Holy Body: Transitions between Relic and Image in the Early Modern Cults of Caterina de' Vigri and Maria Maddalena de' Pazzi
- Kristina Keogh
- 2.
- Reframing a Medieval Miracle in Early Modern Spain: The Origins of Our Lady del Sagrario of Toledo
- Control code
- 1085157396
- Dimensions
- 29 cm
- Extent
- 185 pages
- Isbn
- 9782503583983
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations (chiefly color)
- System control number
- (OCoLC)1085157396
- Label
- The interaction of art and relics in late medieval and early modern art, edited by Livia Stoenescu ; [[essays by] Alison C. Fleming, Livia Stoenescu, Jérémie Koering [and five other]]
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
-
- text
- still image
- Content type code
-
- txt
- sti
- Content type MARC source
-
- rdacontent
- rdacontent
- Contents
-
- Cloe Cavero de Carondelet
- 3.
- Art and the Relics of St. Francis Xavier in Dialogue
- Alison C. Fleming
- II.
- RELICS INTEGRAL TO SACRED SPACES AND WORKS OF ART
- 4.
- The Interrelation of Curtains, Altarpieces, Relics: Domenico Ghirlandaio's Response to the Cult of the Volto Santo in Lucca Cathedral
- Sarah Cadagin
- 5.
- Machine generated contents note:
- Relics and the Visualization of the Christian Creed
- Suzanna Simor
- 6.
- The Place of Relics in Loca Sancta, Medieval Combinations, and the Catholic Reform
- Livia Stoenescu
- III.
- ARTISTS ENGAGING WITH RELICS
- 7.
- Michelangelo's Relics: Some Aspects of Artistic Devotion in Cinquecento Italy
- Jeremie Koering
- I.
- 8.
- The Piety of Glass: Relics and Issues of Materiality in the Reliquary of Mary Magdalene
- Sarah Dillon
- RELICS IN THE ART, DECORATION, AND ARCHITECTURAL MEMORY OF EARLY MODERN CHAPELS
- 1.
- Authenticating the Holy Body: Transitions between Relic and Image in the Early Modern Cults of Caterina de' Vigri and Maria Maddalena de' Pazzi
- Kristina Keogh
- 2.
- Reframing a Medieval Miracle in Early Modern Spain: The Origins of Our Lady del Sagrario of Toledo
- Control code
- 1085157396
- Dimensions
- 29 cm
- Extent
- 185 pages
- Isbn
- 9782503583983
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations (chiefly color)
- System control number
- (OCoLC)1085157396
Subject
- History
- Relics
- Relics -- History -- 16th century
- Relics -- History -- 16th century
- Relics -- History -- To 1500
- Relics -- History -- To 1500
- To 1600
- Christian art and symbolism -- Medieval
- Christian art and symbolism -- Medieval, 500-1500
- Christian art and symbolism -- Medieval, 500-1500
- Christian art and symbolism -- Renaissance
- Christian art and symbolism -- Renaissance, 1450-1600
- Christian art and symbolism -- Renaissance, 1450-1600
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.colby.edu/portal/The-interaction-of-art-and-relics-in-late/IWeIVPqRwPw/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.colby.edu/portal/The-interaction-of-art-and-relics-in-late/IWeIVPqRwPw/">The interaction of art and relics in late medieval and early modern art, edited by Livia Stoenescu ; [[essays by] Alison C. Fleming, Livia Stoenescu, Jérémie Koering [and five other]]</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.colby.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.colby.edu/">Colby College Libraries</a></span></span></span></span></div>
