The Resource Kendell Geers, 1988-2012, Haus der Kunst ; edited by Clive Kellner ; with essays by Nicolas Bourriaud, Laurent Devèze, Katerina Gregos, Clive Kellner, Anitra Nettleton ; and a conversation between Kendell Geers and William Kentridge moderated by Okwui Enwezor
Kendell Geers, 1988-2012, Haus der Kunst ; edited by Clive Kellner ; with essays by Nicolas Bourriaud, Laurent Devèze, Katerina Gregos, Clive Kellner, Anitra Nettleton ; and a conversation between Kendell Geers and William Kentridge moderated by Okwui Enwezor
Resource Information
The item Kendell Geers, 1988-2012, Haus der Kunst ; edited by Clive Kellner ; with essays by Nicolas Bourriaud, Laurent Devèze, Katerina Gregos, Clive Kellner, Anitra Nettleton ; and a conversation between Kendell Geers and William Kentridge moderated by Okwui Enwezor represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Colby College Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Kendell Geers, 1988-2012, Haus der Kunst ; edited by Clive Kellner ; with essays by Nicolas Bourriaud, Laurent Devèze, Katerina Gregos, Clive Kellner, Anitra Nettleton ; and a conversation between Kendell Geers and William Kentridge moderated by Okwui Enwezor represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Colby College Libraries.
This item is available to borrow from 1 library branch.
- Contributor
-
- Haus der Kunst München
- Haus der Kunst München
- Bourriaud, Nicolas
- Bourriaud, Nicolas
- Devèze, Laurent, 1960-
- Devèze, Laurent, 1960-
- Enwezor, Okwui
- Enwezor, Okwui
- Geers, Kendell, 1968-
- Gregos, Katerina
- Gregos, Katerina
- Kellner, Clive
- Kellner, Clive
- Kentridge, William, 1955-
- Kentridge, William, 1955-
- Nettleton, Anitra C. E
- Nettleton, Anitra C. E
- Summary
- "This book explores how the life and work of South African artist Kendell Geers can be seen to constitute a living archive of political turmoil, protest against injustice, and the effects of globalization. In his provocative, often humorous, but always compelling work, Kendell Geers employs various media such as installation, drawing, video, performance, and photography. For two decades his art has been closely linked to the political and cultural environments of his home--whether in South Africa or Europe. This volume explores in particular the trajectories of two decade-long periods. The first, a political phase, runs from 1988 to 2000, during which time Geers explored the moral and ethical contradictions of apartheid. By appropriating historical events and ideas, he focused on questions of the relationship between individual and society. The second period was initiated by Geers's move to Brussels in 2000. This European period is characterized by a poetic aesthetic as Geers transferred his artistic practice into a postcolonial and increasingly global context, exploring themes such as terrorism, spirituality, and mortality. This volume features a number of essays addressing aspects of Geers's work as well as an interview with the artist."--Publisher's website
- Language
-
- eng
- fre
- eng
- Extent
- 240 pages
- Note
-
- Catalog of an exhibition held at the Haus der Kunst, Munich, February 1-May 12, 2013
- Essays by Bourriaud and Devèze translated from the French by B. Hutchins and C.T. Wolfe
- Contents
-
- Foreword / Okwui Enwezor
- Kendell Geers (1988-2012) / Clive Kellner
- The perversity of my birth: The birth of my perversity / Kendell Geers
- Kendell Geers: A proletarian gnosis / Nicolas Bourriaud
- On the aesthetic and political language of art: A conversation between Kendell Geers and William Kentridge / Moderated by Okwui Enwezor
- On the political in Kendell Geers' early work, 1988-2000 / Katerina Gregos
- (With your) back to the wall: The murals of Kendall Geers / Anitra Nettleton
- Kendell Geers, or the denial of the evident / Laurent Devèze
- Isbn
- 9783791353005
- Label
- Kendell Geers, 1988-2012
- Title
- Kendell Geers, 1988-2012
- Statement of responsibility
- Haus der Kunst ; edited by Clive Kellner ; with essays by Nicolas Bourriaud, Laurent Devèze, Katerina Gregos, Clive Kellner, Anitra Nettleton ; and a conversation between Kendell Geers and William Kentridge moderated by Okwui Enwezor
- Contributor
-
- Haus der Kunst München
- Haus der Kunst München
- Bourriaud, Nicolas
- Bourriaud, Nicolas
- Devèze, Laurent, 1960-
- Devèze, Laurent, 1960-
- Enwezor, Okwui
- Enwezor, Okwui
- Geers, Kendell, 1968-
- Gregos, Katerina
- Gregos, Katerina
- Kellner, Clive
- Kellner, Clive
- Kentridge, William, 1955-
- Kentridge, William, 1955-
- Nettleton, Anitra C. E
- Nettleton, Anitra C. E
- Subject
-
- Art, South African -- Exhibitions
- Art, South African -- Exhibitions
- Catalogs
- Catalogs
- Conceptual art -- Exhibitions
- Conceptual art -- Exhibitions
- Exhibition catalogs
- Exhibition catalogs
- Geers, Kendell, 1968- -- Exhibitions
- Geers, Kendell, 1968- -- Exhibitions
- Installations (Art) -- Exhibitions
- Installations (Art) -- Exhibitions
- Politics in art -- Exhibitions
- Politics in art -- Exhibitions
- Race in art -- Exhibitions
- Race in art -- Exhibitions
- Video art -- Exhibitions
- Video art -- Exhibitions
- Violence in art -- Exhibitions
- Violence in art -- Exhibitions
- Language
-
- eng
- fre
- eng
- Summary
- "This book explores how the life and work of South African artist Kendell Geers can be seen to constitute a living archive of political turmoil, protest against injustice, and the effects of globalization. In his provocative, often humorous, but always compelling work, Kendell Geers employs various media such as installation, drawing, video, performance, and photography. For two decades his art has been closely linked to the political and cultural environments of his home--whether in South Africa or Europe. This volume explores in particular the trajectories of two decade-long periods. The first, a political phase, runs from 1988 to 2000, during which time Geers explored the moral and ethical contradictions of apartheid. By appropriating historical events and ideas, he focused on questions of the relationship between individual and society. The second period was initiated by Geers's move to Brussels in 2000. This European period is characterized by a poetic aesthetic as Geers transferred his artistic practice into a postcolonial and increasingly global context, exploring themes such as terrorism, spirituality, and mortality. This volume features a number of essays addressing aspects of Geers's work as well as an interview with the artist."--Publisher's website
- Cataloging source
- YDXCP
- Illustrations
- illustrations
- Index
- no index present
- Literary form
- non fiction
- Nature of contents
-
- bibliography
- catalogs
- http://library.link/vocab/relatedWorkOrContributorDate
-
- 1968-
- 1960-
- 1955-
- http://library.link/vocab/relatedWorkOrContributorName
-
- Geers, Kendell
- Kellner, Clive
- Bourriaud, Nicolas
- Devèze, Laurent
- Gregos, Katerina
- Nettleton, Anitra C. E
- Kentridge, William
- Enwezor, Okwui
- Haus der Kunst München
- http://library.link/vocab/subjectName
-
- Geers, Kendell
- Art, South African
- Conceptual art
- Installations (Art)
- Video art
- Race in art
- Violence in art
- Politics in art
- Label
- Kendell Geers, 1988-2012, Haus der Kunst ; edited by Clive Kellner ; with essays by Nicolas Bourriaud, Laurent Devèze, Katerina Gregos, Clive Kellner, Anitra Nettleton ; and a conversation between Kendell Geers and William Kentridge moderated by Okwui Enwezor
- Note
-
- Catalog of an exhibition held at the Haus der Kunst, Munich, February 1-May 12, 2013
- Essays by Bourriaud and Devèze translated from the French by B. Hutchins and C.T. Wolfe
- Bibliography note
- Includes bibliographical references
- Carrier category
- volume
- Carrier MARC source
- rdacarrier
- Content category
-
- still image
- text
- Content type MARC source
-
- rdacontent
- rdacontent
- Contents
- Foreword / Okwui Enwezor -- Kendell Geers (1988-2012) / Clive Kellner -- The perversity of my birth: The birth of my perversity / Kendell Geers -- Kendell Geers: A proletarian gnosis / Nicolas Bourriaud -- On the aesthetic and political language of art: A conversation between Kendell Geers and William Kentridge / Moderated by Okwui Enwezor -- On the political in Kendell Geers' early work, 1988-2000 / Katerina Gregos -- (With your) back to the wall: The murals of Kendall Geers / Anitra Nettleton -- Kendell Geers, or the denial of the evident / Laurent Devèze
- Control code
- 829764189
- Dimensions
- 30 cm
- Extent
- 240 pages
- Isbn
- 9783791353005
- Media category
- unmediated
- Media MARC source
- rdamedia
- Other physical details
- illustrations (chiefly color)
- Label
- Kendell Geers, 1988-2012, Haus der Kunst ; edited by Clive Kellner ; with essays by Nicolas Bourriaud, Laurent Devèze, Katerina Gregos, Clive Kellner, Anitra Nettleton ; and a conversation between Kendell Geers and William Kentridge moderated by Okwui Enwezor
- Note
-
- Catalog of an exhibition held at the Haus der Kunst, Munich, February 1-May 12, 2013
- Essays by Bourriaud and Devèze translated from the French by B. Hutchins and C.T. Wolfe
- Bibliography note
- Includes bibliographical references
- Carrier category
- volume
- Carrier MARC source
- rdacarrier
- Content category
-
- still image
- text
- Content type MARC source
-
- rdacontent
- rdacontent
- Contents
- Foreword / Okwui Enwezor -- Kendell Geers (1988-2012) / Clive Kellner -- The perversity of my birth: The birth of my perversity / Kendell Geers -- Kendell Geers: A proletarian gnosis / Nicolas Bourriaud -- On the aesthetic and political language of art: A conversation between Kendell Geers and William Kentridge / Moderated by Okwui Enwezor -- On the political in Kendell Geers' early work, 1988-2000 / Katerina Gregos -- (With your) back to the wall: The murals of Kendall Geers / Anitra Nettleton -- Kendell Geers, or the denial of the evident / Laurent Devèze
- Control code
- 829764189
- Dimensions
- 30 cm
- Extent
- 240 pages
- Isbn
- 9783791353005
- Media category
- unmediated
- Media MARC source
- rdamedia
- Other physical details
- illustrations (chiefly color)
Subject
- Art, South African -- Exhibitions
- Art, South African -- Exhibitions
- Catalogs
- Catalogs
- Conceptual art -- Exhibitions
- Conceptual art -- Exhibitions
- Exhibition catalogs
- Exhibition catalogs
- Geers, Kendell, 1968- -- Exhibitions
- Geers, Kendell, 1968- -- Exhibitions
- Installations (Art) -- Exhibitions
- Installations (Art) -- Exhibitions
- Politics in art -- Exhibitions
- Politics in art -- Exhibitions
- Race in art -- Exhibitions
- Race in art -- Exhibitions
- Video art -- Exhibitions
- Video art -- Exhibitions
- Violence in art -- Exhibitions
- Violence in art -- Exhibitions
Genre
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.colby.edu/portal/Kendell-Geers-1988-2012-Haus-der-Kunst--edited/RACLGQ8JTuQ/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.colby.edu/portal/Kendell-Geers-1988-2012-Haus-der-Kunst--edited/RACLGQ8JTuQ/">Kendell Geers, 1988-2012, Haus der Kunst ; edited by Clive Kellner ; with essays by Nicolas Bourriaud, Laurent Devèze, Katerina Gregos, Clive Kellner, Anitra Nettleton ; and a conversation between Kendell Geers and William Kentridge moderated by Okwui Enwezor</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.colby.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.colby.edu/">Colby College Libraries</a></span></span></span></span></div>
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Data Citation of the Item Kendell Geers, 1988-2012, Haus der Kunst ; edited by Clive Kellner ; with essays by Nicolas Bourriaud, Laurent Devèze, Katerina Gregos, Clive Kellner, Anitra Nettleton ; and a conversation between Kendell Geers and William Kentridge moderated by Okwui Enwezor
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.colby.edu/portal/Kendell-Geers-1988-2012-Haus-der-Kunst--edited/RACLGQ8JTuQ/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.colby.edu/portal/Kendell-Geers-1988-2012-Haus-der-Kunst--edited/RACLGQ8JTuQ/">Kendell Geers, 1988-2012, Haus der Kunst ; edited by Clive Kellner ; with essays by Nicolas Bourriaud, Laurent Devèze, Katerina Gregos, Clive Kellner, Anitra Nettleton ; and a conversation between Kendell Geers and William Kentridge moderated by Okwui Enwezor</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.colby.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.colby.edu/">Colby College Libraries</a></span></span></span></span></div>
