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The Resource I'm not myself at all : women, art, and subjectivity in Canada, Kristina Huneault

I'm not myself at all : women, art, and subjectivity in Canada, Kristina Huneault

Creator
Author
Summary
"Notions of identity have long structured women's art. Dynamics of race, class, and gender have shaped the production of artworks and oriented their subsequent reassessments. Arguably, this is especially true of art by women, and of the socially engaged criticism that addresses it. If identity has been a problem in women's art, however, is more identity the solution? In this collection of interpretive essays on nineteenth and early twentieth-century art in Canada, author Kristina Huneault offers a meditation on the strictures of identity, and an exploration of forces that unsettle and realign the self. Looking closely at individual artists and works, Huneault combines formal analysis with archival research and philosophical inquiry, building nuanced readings of objects that range from the canonical to the largely unknown. Whether in miniature portraits or genre paintings, botanical drawings or baskets, women artists reckoned with constraints that limited understandings of themselves and others. They also forged creative alternatives. At times, the author explains, identity features in women's artistic work as a failed project, at other times it marks a boundary, beyond which they were able to expand, explore, and exult. Bringing together settler and indigenous forms of cultural expression and foregrounding the importance of colonialism within the development of art in Canada, I'm not myself at all observes and reactivates historical art by women and prompts readers to consider what a less-restrictive conceptualization of selfhood might bring to current patterns of cultural analysis."--
Language
eng
Work
Publication
Extent
xiv, 381 pages
Contents
  • Part One: Identities
  • Absence: Henrietta Hamilton, Demasduit, and the settler-colonial encounter
  • Displacements: Self and home in the art of Frances Anne Hopkins
  • Gaps: lived experience and cultural narrative in Helen McNicoll's impressionist canvases
  • Part Two: Forces
  • Diversity: Identity, difference, and the botanical encounter
  • Inclination: Maternity, reverie, and the art of being-with
  • Listening: nature and personhood for Emily Carr and Sewinchelwet (Sophie Frank)
Isbn
9780773553194
Instance
Label
I'm not myself at all : women, art, and subjectivity in Canada
Title
I'm not myself at all
Title remainder
women, art, and subjectivity in Canada
Statement of responsibility
Kristina Huneault
Title variation
Women, art and subjectivity in Canada
Creator
Author
Subject
Genre
Language
eng
Summary
"Notions of identity have long structured women's art. Dynamics of race, class, and gender have shaped the production of artworks and oriented their subsequent reassessments. Arguably, this is especially true of art by women, and of the socially engaged criticism that addresses it. If identity has been a problem in women's art, however, is more identity the solution? In this collection of interpretive essays on nineteenth and early twentieth-century art in Canada, author Kristina Huneault offers a meditation on the strictures of identity, and an exploration of forces that unsettle and realign the self. Looking closely at individual artists and works, Huneault combines formal analysis with archival research and philosophical inquiry, building nuanced readings of objects that range from the canonical to the largely unknown. Whether in miniature portraits or genre paintings, botanical drawings or baskets, women artists reckoned with constraints that limited understandings of themselves and others. They also forged creative alternatives. At times, the author explains, identity features in women's artistic work as a failed project, at other times it marks a boundary, beyond which they were able to expand, explore, and exult. Bringing together settler and indigenous forms of cultural expression and foregrounding the importance of colonialism within the development of art in Canada, I'm not myself at all observes and reactivates historical art by women and prompts readers to consider what a less-restrictive conceptualization of selfhood might bring to current patterns of cultural analysis."--
Member of
Assigning source
Provided by publisher
Cataloging source
YDX
http://library.link/vocab/creatorName
Huneault, Kristina,
Illustrations
illustrations
Index
no index present
Literary form
non fiction
Nature of contents
bibliography
Series statement
McGill-Queen's/Beaverbrook Canadian Foundation studies in art history
http://library.link/vocab/subjectName
  • Women artists
  • Art
  • Art, Canadian
  • Art, Canadian
  • Identity (Psychology) in art
  • Women in art
  • ART / Subjects & Themes / General
  • Art
  • Art, Canadian
  • Identity (Psychology) in art
  • Women artists
  • Women in art
  • Canada
Label
I'm not myself at all : women, art, and subjectivity in Canada, Kristina Huneault
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
  • text
  • still image
Content type code
  • txt
  • sti
Content type MARC source
  • rdacontent
  • rdacontent
Contents
Part One: Identities -- Absence: Henrietta Hamilton, Demasduit, and the settler-colonial encounter -- Displacements: Self and home in the art of Frances Anne Hopkins -- Gaps: lived experience and cultural narrative in Helen McNicoll's impressionist canvases -- Part Two: Forces -- Diversity: Identity, difference, and the botanical encounter -- Inclination: Maternity, reverie, and the art of being-with -- Listening: nature and personhood for Emily Carr and Sewinchelwet (Sophie Frank)
Control code
1013498650
Dimensions
26 cm
Extent
xiv, 381 pages
Isbn
9780773553194
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations (some color)
System control number
(OCoLC)1013498650
Label
I'm not myself at all : women, art, and subjectivity in Canada, Kristina Huneault
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
  • text
  • still image
Content type code
  • txt
  • sti
Content type MARC source
  • rdacontent
  • rdacontent
Contents
Part One: Identities -- Absence: Henrietta Hamilton, Demasduit, and the settler-colonial encounter -- Displacements: Self and home in the art of Frances Anne Hopkins -- Gaps: lived experience and cultural narrative in Helen McNicoll's impressionist canvases -- Part Two: Forces -- Diversity: Identity, difference, and the botanical encounter -- Inclination: Maternity, reverie, and the art of being-with -- Listening: nature and personhood for Emily Carr and Sewinchelwet (Sophie Frank)
Control code
1013498650
Dimensions
26 cm
Extent
xiv, 381 pages
Isbn
9780773553194
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations (some color)
System control number
(OCoLC)1013498650

Subject

Genre

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