The Resource Hybrid practices : art in collaboration with science and technology in the long 1960s, edited by David Cateforis, Steven Duval, and Shepherd Steiner
Hybrid practices : art in collaboration with science and technology in the long 1960s, edited by David Cateforis, Steven Duval, and Shepherd Steiner
Resource Information
The item Hybrid practices : art in collaboration with science and technology in the long 1960s, edited by David Cateforis, Steven Duval, and Shepherd Steiner represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Colby College Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Hybrid practices : art in collaboration with science and technology in the long 1960s, edited by David Cateforis, Steven Duval, and Shepherd Steiner represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Colby College Libraries.
This item is available to borrow from 1 library branch.
- Summary
- "In Hybrid Practices, essays by established and emerging scholars investigate the rich ecology of practices that typified the era of the Cold War. The volume showcases three projects that were at the forefront of unprecedented collaboration between the arts and new sectors of industrial society in the 1960s and 70s --Experiments in Art and Technology (E.A.T.), the Art and Technology Project at the Los Angeles County Museum of Art (A&T), and the Artist Placement Group (APG) in the U.K. The subjects covered range from collaborative projects between artists and scientists to commercial ventures and experiments in intermedia, onto to multi-disciplinary undertakings, effacing authorship to activate the spectator, suturing gaps between art and government, or remapping the landscape of everyday life in terms of technological mediation. Among the artists discussed in the volume and of interest to a broad public beyond the art world include John Cage, Hans Haacke, Robert Irwin, John Latham, Bernd and Hilla Becher, Sol LeWitt, Carolee Schneemann, James Turrell, Yvonne Rainer, Robert Rauschenberg, and Robert Whitman. This valuable collection aims to introduce readers not only to hybrid work in and as depth, but also to work in and as breadth, across disciplinary practices where the real questions of hybridity are determined."--Provided by publisher
- Language
- eng
- Extent
- x, 276 pages
- Contents
-
- Introduction: Reassessing hybrid practice / David Cateforis, Steven Duval, and Shepherd Steiner
- Launching "hybrid practices" in the 1960s: on the perils and promise of art and technology / Anne Collins Goodyear
- Identity, rhetoric, and method in the collaborations of experiments in art and technology, the Artist Placement Group, and the Art and Technology Program at the Los Angeles County Museum of Art / Steven Duval
- Fallout and spinoff: commercializing the art-technology nexus / W. Patrick McCray
- Beyond method and without object: subject as inquiry in the Irwin-Wortz collaboration / Dawna Schuld
- Monuments to the period we live in / Craig Richardson
- Sounding snows: bodily static and the politics of visibility during the Vietnam War / Erica Levin
- Contagious creativity: participatory engagement in "the magic theater" exhibition (1968) / Cristina Albu
- Programming and reprogramming the institution: system politics in Hans Haacke's photoelectric viewer-programmed coordinate system / John A. Tyson
- Technologies of indeterminacy: John Cage invents / Sandra Skurvida
- Dramaturgical devices and Stanley Milgram's hybrid practice / Maya Oppenheimer
- Prostheses or technical extensions: rereading the work of Bernd and Hilla Becher / Shepherd Steiner
- Supplement: the Hale experiments: object-oriented ventriloquy during the Cold War
- Isbn
- 9780520296596
- Label
- Hybrid practices : art in collaboration with science and technology in the long 1960s
- Title
- Hybrid practices
- Title remainder
- art in collaboration with science and technology in the long 1960s
- Statement of responsibility
- edited by David Cateforis, Steven Duval, and Shepherd Steiner
- Subject
-
- 1900-1999
- Art -- 20e siècle
- Art and society
- Art and society
- Art and society
- Art and technology
- Art and technology
- Art and technology
- Art et société
- Art et technologie
- Art, Modern
- Art, Modern -- 20th century
- Art, Modern -- 20th century
- Artist Placement Group
- Artist Placement Group -- Histoire
- Artist Placement Group -- History
- Artist Placement Group -- History
- Experiments in Art and Technology (Organization)
- Experiments in Art and Technology (Organization) -- Histoire
- Experiments in Art and Technology (Organization) -- History
- Experiments in Art and Technology (Organization) -- History
- History
- Los Angeles County Museum of Art, Art and Technology Program
- Los Angeles County Museum of Art, Art and Technology Program -- Histoire
- Los Angeles County Museum of Art, Art and Technology Program -- History
- Los Angeles County Museum of Art, Art and Technology Program -- History
- Language
- eng
- Summary
- "In Hybrid Practices, essays by established and emerging scholars investigate the rich ecology of practices that typified the era of the Cold War. The volume showcases three projects that were at the forefront of unprecedented collaboration between the arts and new sectors of industrial society in the 1960s and 70s --Experiments in Art and Technology (E.A.T.), the Art and Technology Project at the Los Angeles County Museum of Art (A&T), and the Artist Placement Group (APG) in the U.K. The subjects covered range from collaborative projects between artists and scientists to commercial ventures and experiments in intermedia, onto to multi-disciplinary undertakings, effacing authorship to activate the spectator, suturing gaps between art and government, or remapping the landscape of everyday life in terms of technological mediation. Among the artists discussed in the volume and of interest to a broad public beyond the art world include John Cage, Hans Haacke, Robert Irwin, John Latham, Bernd and Hilla Becher, Sol LeWitt, Carolee Schneemann, James Turrell, Yvonne Rainer, Robert Rauschenberg, and Robert Whitman. This valuable collection aims to introduce readers not only to hybrid work in and as depth, but also to work in and as breadth, across disciplinary practices where the real questions of hybridity are determined."--Provided by publisher
- Cataloging source
- CU-S/DLC
- Government publication
- government publication of a state province territory dependency etc
- Index
- index present
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/relatedWorkOrContributorName
-
- Cateforis, David,
- Duval, Steven,
- Steiner, Shep,
- http://library.link/vocab/subjectName
-
- Experiments in Art and Technology (Organization)
- Los Angeles County Museum of Art
- Artist Placement Group
- Artist Placement Group
- Experiments in Art and Technology (Organization)
- Los Angeles County Museum of Art
- Experiments in Art and Technology (Organization)
- Los Angeles County Museum of Art
- Artist Placement Group
- Art and technology
- Art and society
- Art, Modern
- Art and society
- Art and technology
- Art, Modern
- Art et technologie
- Art et société
- Art
- Label
- Hybrid practices : art in collaboration with science and technology in the long 1960s, edited by David Cateforis, Steven Duval, and Shepherd Steiner
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: Reassessing hybrid practice / David Cateforis, Steven Duval, and Shepherd Steiner -- Launching "hybrid practices" in the 1960s: on the perils and promise of art and technology / Anne Collins Goodyear -- Identity, rhetoric, and method in the collaborations of experiments in art and technology, the Artist Placement Group, and the Art and Technology Program at the Los Angeles County Museum of Art / Steven Duval -- Fallout and spinoff: commercializing the art-technology nexus / W. Patrick McCray -- Beyond method and without object: subject as inquiry in the Irwin-Wortz collaboration / Dawna Schuld -- Monuments to the period we live in / Craig Richardson -- Sounding snows: bodily static and the politics of visibility during the Vietnam War / Erica Levin -- Contagious creativity: participatory engagement in "the magic theater" exhibition (1968) / Cristina Albu -- Programming and reprogramming the institution: system politics in Hans Haacke's photoelectric viewer-programmed coordinate system / John A. Tyson -- Technologies of indeterminacy: John Cage invents / Sandra Skurvida -- Dramaturgical devices and Stanley Milgram's hybrid practice / Maya Oppenheimer -- Prostheses or technical extensions: rereading the work of Bernd and Hilla Becher / Shepherd Steiner -- Supplement: the Hale experiments: object-oriented ventriloquy during the Cold War
- Control code
- 1031041083
- Dimensions
- 26 cm
- Extent
- x, 276 pages
- Isbn
- 9780520296596
- Lccn
- 2018011302
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- http://library.link/vocab/ext/overdrive/overdriveId
- w011357
- System control number
- (OCoLC)1031041083
- Label
- Hybrid practices : art in collaboration with science and technology in the long 1960s, edited by David Cateforis, Steven Duval, and Shepherd Steiner
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: Reassessing hybrid practice / David Cateforis, Steven Duval, and Shepherd Steiner -- Launching "hybrid practices" in the 1960s: on the perils and promise of art and technology / Anne Collins Goodyear -- Identity, rhetoric, and method in the collaborations of experiments in art and technology, the Artist Placement Group, and the Art and Technology Program at the Los Angeles County Museum of Art / Steven Duval -- Fallout and spinoff: commercializing the art-technology nexus / W. Patrick McCray -- Beyond method and without object: subject as inquiry in the Irwin-Wortz collaboration / Dawna Schuld -- Monuments to the period we live in / Craig Richardson -- Sounding snows: bodily static and the politics of visibility during the Vietnam War / Erica Levin -- Contagious creativity: participatory engagement in "the magic theater" exhibition (1968) / Cristina Albu -- Programming and reprogramming the institution: system politics in Hans Haacke's photoelectric viewer-programmed coordinate system / John A. Tyson -- Technologies of indeterminacy: John Cage invents / Sandra Skurvida -- Dramaturgical devices and Stanley Milgram's hybrid practice / Maya Oppenheimer -- Prostheses or technical extensions: rereading the work of Bernd and Hilla Becher / Shepherd Steiner -- Supplement: the Hale experiments: object-oriented ventriloquy during the Cold War
- Control code
- 1031041083
- Dimensions
- 26 cm
- Extent
- x, 276 pages
- Isbn
- 9780520296596
- Lccn
- 2018011302
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- http://library.link/vocab/ext/overdrive/overdriveId
- w011357
- System control number
- (OCoLC)1031041083
Subject
- 1900-1999
- Art -- 20e siècle
- Art and society
- Art and society
- Art and society
- Art and technology
- Art and technology
- Art and technology
- Art et société
- Art et technologie
- Art, Modern
- Art, Modern -- 20th century
- Art, Modern -- 20th century
- Artist Placement Group
- Artist Placement Group -- Histoire
- Artist Placement Group -- History
- Artist Placement Group -- History
- Experiments in Art and Technology (Organization)
- Experiments in Art and Technology (Organization) -- Histoire
- Experiments in Art and Technology (Organization) -- History
- Experiments in Art and Technology (Organization) -- History
- History
- Los Angeles County Museum of Art, Art and Technology Program
- Los Angeles County Museum of Art, Art and Technology Program -- Histoire
- Los Angeles County Museum of Art, Art and Technology Program -- History
- Los Angeles County Museum of Art, Art and Technology Program -- History
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.colby.edu/portal/Hybrid-practices--art-in-collaboration-with/NK6tbCjYU_4/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.colby.edu/portal/Hybrid-practices--art-in-collaboration-with/NK6tbCjYU_4/">Hybrid practices : art in collaboration with science and technology in the long 1960s, edited by David Cateforis, Steven Duval, and Shepherd Steiner</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.colby.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.colby.edu/">Colby College Libraries</a></span></span></span></span></div>
