The Resource Green worlds in early modern Italy : art and the verdant earth, edited by Karen Hope Goodchild, April Oettinger and Leopoldine Prosperetti
Green worlds in early modern Italy : art and the verdant earth, edited by Karen Hope Goodchild, April Oettinger and Leopoldine Prosperetti
Resource Information
The item Green worlds in early modern Italy : art and the verdant earth, edited by Karen Hope Goodchild, April Oettinger and Leopoldine Prosperetti represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Colby College Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Green worlds in early modern Italy : art and the verdant earth, edited by Karen Hope Goodchild, April Oettinger and Leopoldine Prosperetti represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Colby College Libraries.
This item is available to borrow from 1 library branch.
- Summary
- "The green mantle of the earth! This metaphor is a poetic image that borrows from the vocabulary of weaving and epitomizes the Renaissance interest in "fashioning green worlds" in art and poetry. Here it serves as a motto for a cultural poetics that made representing living nature increasingly popular across Italy in the Early Modern period. The explosion of landscape art in this era is often associated with the rise of interest in the literary pastoral, narrowly defined, but this volume expands that understanding to show Green’s broad appeal as it intrigued audiences ranging from the ecclesiastic to the medical and scientific to the humanistic and courtly. The essays gathered here explore the expanding technologies and varied cultural dimensions of verzure and verdancy in the Italian Renaissance, and thus the role of visual art in shaping the poetics and expression of greenery in the arts of the 16th-century and beyond."--
- Language
- eng
- Extent
- 286 pages, 32 unnumbered pages of plates
- Contents
-
- Introduction: A Fresh Vision of the Natural World in Renaissance Italy / Karen Goodchild, April Oettinger, Leopoldine Prosperetti
- The Green Places of Fra Filippo Lippi and Sandro Botticelli / Rebekah Compton
- Anthropomorphic Trees and Animated Nature in Lorenzo Lotto’s 1509 St. Jerome / April Oettinger
- ‘Honesta voluptas’: The Renaissance Justification for Enjoyment of the Natural World / Paul Holberton
- zThe Sala delle Asse as Locus Amoenus: Revisiting Leonardo da Vinci’s Arboreal Imagery in Milan’s Castello Sforzescoy / Jill Pederson
- Naturalism and Antiquity, Redefined, in Vasari’s Verzure / Karen Hope Goodchild
- Verdant Architecture and Tripartite Chorography: Toeput and the Italian Villa Tradition / Natsumi Nonaka
- Titian: Sylvan Poet / Leopoldine Prosperetti
- From Venice to Tivoli: Girolamo Muziano and the ‘Invention’ of the Tiburtine Landscape / Patrizia Tosini
- Of Oak and Elder, Cloud-like Angels, and a Bird’s Nest: The Graphic Interpretations of Titian’s The Death of St. Peter Martyr by Martino Rota, Giovanni Battista Fontana, Valentin Lefebre, John Baptist Jackson, and their Successors / Sabine Peinelt-Schmidt
- The Verdant as Violence: The Storm Landscapes of Herman van Swanevelt and Gaspard Dughet / Susan Russell
- Afterword: A Brief Journey Through the Green World of Renaissance Venice / Paul Barolsky
- Isbn
- 9789462984950
- Label
- Green worlds in early modern Italy : art and the verdant earth
- Title
- Green worlds in early modern Italy
- Title remainder
- art and the verdant earth
- Statement of responsibility
- edited by Karen Hope Goodchild, April Oettinger and Leopoldine Prosperetti
- Title variation
- Art and the verdant earth
- Subject
-
- 1500-1599
- Art
- Art -- Italie -- 16e siècle
- Art -- Italy -- 16th century
- Art -- Italy -- 16th century
- Italien
- Italy
- Naturdarstellung
- Nature (Aesthetics)
- Nature (Aesthetics)
- Nature (Aesthetics)
- Nature -- Dans l'art -- Italie -- 16e siècle
- Painting, Italian
- Painting, Italian -- 16th century
- Painting, Italian -- 16th century
- Language
- eng
- Summary
- "The green mantle of the earth! This metaphor is a poetic image that borrows from the vocabulary of weaving and epitomizes the Renaissance interest in "fashioning green worlds" in art and poetry. Here it serves as a motto for a cultural poetics that made representing living nature increasingly popular across Italy in the Early Modern period. The explosion of landscape art in this era is often associated with the rise of interest in the literary pastoral, narrowly defined, but this volume expands that understanding to show Green’s broad appeal as it intrigued audiences ranging from the ecclesiastic to the medical and scientific to the humanistic and courtly. The essays gathered here explore the expanding technologies and varied cultural dimensions of verzure and verdancy in the Italian Renaissance, and thus the role of visual art in shaping the poetics and expression of greenery in the arts of the 16th-century and beyond."--
- Assigning source
- Publisher's website
- Cataloging source
- FSJ
- Illustrations
-
- illustrations
- plates
- Index
- index present
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/relatedWorkOrContributorDate
- 1948-
- http://library.link/vocab/relatedWorkOrContributorName
-
- Goodchild, Karen Hope,
- Oettinger, April,
- Prosperetti, Leopoldine van Hogendorp
- Series statement
- Visual and material culture, 1300-1700
- Series volume
- 11
- http://library.link/vocab/subjectName
-
- Art
- Nature (Aesthetics)
- Painting, Italian
- Art
- Nature (Aesthetics)
- Painting, Italian
- Italy
- Art
- Nature
- Naturdarstellung
- Italien
- Label
- Green worlds in early modern Italy : art and the verdant earth, edited by Karen Hope Goodchild, April Oettinger and Leopoldine Prosperetti
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
-
- text
- still image
- Content type code
-
- txt
- sti
- Content type MARC source
-
- rdacontent
- rdacontent
- Contents
- Introduction: A Fresh Vision of the Natural World in Renaissance Italy / Karen Goodchild, April Oettinger, Leopoldine Prosperetti -- The Green Places of Fra Filippo Lippi and Sandro Botticelli / Rebekah Compton -- Anthropomorphic Trees and Animated Nature in Lorenzo Lotto’s 1509 St. Jerome / April Oettinger -- ‘Honesta voluptas’: The Renaissance Justification for Enjoyment of the Natural World / Paul Holberton -- zThe Sala delle Asse as Locus Amoenus: Revisiting Leonardo da Vinci’s Arboreal Imagery in Milan’s Castello Sforzescoy / Jill Pederson -- Naturalism and Antiquity, Redefined, in Vasari’s Verzure / Karen Hope Goodchild -- Verdant Architecture and Tripartite Chorography: Toeput and the Italian Villa Tradition / Natsumi Nonaka -- Titian: Sylvan Poet / Leopoldine Prosperetti -- From Venice to Tivoli: Girolamo Muziano and the ‘Invention’ of the Tiburtine Landscape / Patrizia Tosini -- Of Oak and Elder, Cloud-like Angels, and a Bird’s Nest: The Graphic Interpretations of Titian’s The Death of St. Peter Martyr by Martino Rota, Giovanni Battista Fontana, Valentin Lefebre, John Baptist Jackson, and their Successors / Sabine Peinelt-Schmidt -- The Verdant as Violence: The Storm Landscapes of Herman van Swanevelt and Gaspard Dughet / Susan Russell -- Afterword: A Brief Journey Through the Green World of Renaissance Venice / Paul Barolsky
- Control code
- 1104496557
- Dimensions
- 25 cm
- Extent
- 286 pages, 32 unnumbered pages of plates
- Isbn
- 9789462984950
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations (some color)
- System control number
- (OCoLC)1104496557
- Label
- Green worlds in early modern Italy : art and the verdant earth, edited by Karen Hope Goodchild, April Oettinger and Leopoldine Prosperetti
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
-
- text
- still image
- Content type code
-
- txt
- sti
- Content type MARC source
-
- rdacontent
- rdacontent
- Contents
- Introduction: A Fresh Vision of the Natural World in Renaissance Italy / Karen Goodchild, April Oettinger, Leopoldine Prosperetti -- The Green Places of Fra Filippo Lippi and Sandro Botticelli / Rebekah Compton -- Anthropomorphic Trees and Animated Nature in Lorenzo Lotto’s 1509 St. Jerome / April Oettinger -- ‘Honesta voluptas’: The Renaissance Justification for Enjoyment of the Natural World / Paul Holberton -- zThe Sala delle Asse as Locus Amoenus: Revisiting Leonardo da Vinci’s Arboreal Imagery in Milan’s Castello Sforzescoy / Jill Pederson -- Naturalism and Antiquity, Redefined, in Vasari’s Verzure / Karen Hope Goodchild -- Verdant Architecture and Tripartite Chorography: Toeput and the Italian Villa Tradition / Natsumi Nonaka -- Titian: Sylvan Poet / Leopoldine Prosperetti -- From Venice to Tivoli: Girolamo Muziano and the ‘Invention’ of the Tiburtine Landscape / Patrizia Tosini -- Of Oak and Elder, Cloud-like Angels, and a Bird’s Nest: The Graphic Interpretations of Titian’s The Death of St. Peter Martyr by Martino Rota, Giovanni Battista Fontana, Valentin Lefebre, John Baptist Jackson, and their Successors / Sabine Peinelt-Schmidt -- The Verdant as Violence: The Storm Landscapes of Herman van Swanevelt and Gaspard Dughet / Susan Russell -- Afterword: A Brief Journey Through the Green World of Renaissance Venice / Paul Barolsky
- Control code
- 1104496557
- Dimensions
- 25 cm
- Extent
- 286 pages, 32 unnumbered pages of plates
- Isbn
- 9789462984950
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations (some color)
- System control number
- (OCoLC)1104496557
Subject
- 1500-1599
- Art
- Art -- Italie -- 16e siècle
- Art -- Italy -- 16th century
- Art -- Italy -- 16th century
- Italien
- Italy
- Naturdarstellung
- Nature (Aesthetics)
- Nature (Aesthetics)
- Nature (Aesthetics)
- Nature -- Dans l'art -- Italie -- 16e siècle
- Painting, Italian
- Painting, Italian -- 16th century
- Painting, Italian -- 16th century
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.colby.edu/portal/Green-worlds-in-early-modern-Italy--art-and-the/THWrhCdYStI/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.colby.edu/portal/Green-worlds-in-early-modern-Italy--art-and-the/THWrhCdYStI/">Green worlds in early modern Italy : art and the verdant earth, edited by Karen Hope Goodchild, April Oettinger and Leopoldine Prosperetti</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.colby.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.colby.edu/">Colby College Libraries</a></span></span></span></span></div>