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The Resource Art past, art present, David G. Wilkins, Bernard Schultz, Katheryn M. Linduff

Art past, art present, David G. Wilkins, Bernard Schultz, Katheryn M. Linduff

Label
Art past, art present
Title
Art past, art present
Statement of responsibility
David G. Wilkins, Bernard Schultz, Katheryn M. Linduff
Creator
Contributor
Author
Subject
Genre
Language
eng
Summary
  • The narrative is chronological through time and across cultures, so that one can visit the world of art in any era and learn what was happening around the globe. Clear, synthesizing overviews of each major section provide historical, social, and cultural foundations for the presentation of the art and architecture covered in those sections. The book's strong design provides dependable visual cues for different kinds of information: for example, boxed explications of art techniques and Timescopes, which are integrated chronological tables that organize important information by geographical area, date, and key events in art and history for each major period. Patronage and sponsorship - who commissioned and paid for artworks, and why - are treated in captions for every work that has a known or presumed sponsor
  • Art Past/Art Present's global overview and clear expression are finely tuned to the outlook of our times and to satisfying our curiosity about art from its beginnings to its most current expressions everywhere
Cataloging source
DLC
http://library.link/vocab/creatorName
Wilkins, David G.,
Illustrations
  • illustrations
  • maps
Index
index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1948-
http://library.link/vocab/relatedWorkOrContributorName
  • Schultz, Bernard
  • Linduff, Katheryn M.,
http://library.link/vocab/subjectName
  • Art
  • Art
  • Art
Label
Art past, art present, David G. Wilkins, Bernard Schultz, Katheryn M. Linduff
Instantiates
Publication
Copyright
Bibliography note
Includes bibliographical references (pages 613-615) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • 32
  • 136
  • Roman Public Architecture
  • 138
  • Mesoamerican Art: Teotihuacan
  • 140
  • Part 4
  • Art from 200 to 1400
  • 144
  • Art Past/Art Present: Naming the Middle Ages
  • 146
  • Part 2
  • Global Timescope: The Middle Ages
  • 152
  • Jewish Art: The Synagogue at Dura Europos
  • 154
  • Early Christian Art
  • 156
  • Technique: Christianity and Symbolism
  • 158
  • Early Christian Architecture
  • 160
  • Prehistoric Art
  • The Shinto Shrine at Ise, Japan
  • 162
  • Byzantine Art
  • 164
  • Hagia Sophia
  • 168
  • San Vitale, Ravenna
  • 170
  • Technique: Mosaic
  • 173
  • 36
  • Anglo-Saxon Metalwork
  • 174
  • Hiberno-Saxon Manuscript Illumination
  • 176
  • The Chinese Imperial City of Chang'an
  • 178
  • Buddhist Art at Horyuji
  • 182
  • Technique: Tou-Kung Bracketing
  • 183
  • Global Timescope: Prehistoric Art
  • Hindu Art at Ellora
  • 186
  • Islamic Art at Cordoba
  • 188
  • Carolingian Art
  • 192
  • The Monastery in the West
  • 194
  • Buddhist Art in Indonesia
  • 196
  • 46
  • Chinese Art: Landscape Painting
  • 198
  • Art Past/Art Present: Chinese Aesthetic Theory
  • 201
  • Ottonian Art
  • 202
  • Romanesque Art
  • 204
  • Romanesque Architecture at Conques
  • 208
  • Part 3
  • Romanesque Sculpture
  • 210
  • Later Byzantine Art
  • 212
  • Angkor Wat: Cult of the God-King
  • 214
  • The Japanese Narrative Scroll
  • 216
  • Gothic Art
  • 218
  • Ancient Art
  • The Gothic Cathedral: Chartres
  • 222
  • Technique: Proportions of Gothic Cathedrals, 1160-1230
  • 224
  • Technique: Gothic Engineering
  • 226
  • Technique: Regional Styles of Gothic Architecture
  • 227
  • Gothic Sculpture
  • 228
  • 48
  • Technique: Gothic Stained Glass
  • 230
  • Early Italian Painting
  • 232
  • Giotto, the Arena Chapel Frescoes
  • 234
  • Technique: Tempera and Fresco
  • 236
  • The Royal Art of African Kingdoms
  • 238
  • Art Past/Art Present: The Concept of the Classical
  • Part 5
  • Fifteenth-Century Art
  • 240
  • Global Timescope: Renaissance
  • 250
  • Early Renaissance Sculpture in Florence
  • 252
  • Flemish Painting: The Limbourg Brothers
  • 254
  • Flemish Painting: Robert Campin
  • Part 1
  • 52
  • 256
  • Italian Renaissance Painting: Masaccio
  • 258
  • Technique: Fresco, Oil, and Tempera
  • 261
  • Technique: Scientific Perspective
  • 262
  • Flemish Painting: Hubert and Jan Van Eyck
  • 264
  • Italian Renaissance Sculpture: Lorenzo Ghiberti
  • Global Timescope: Ancient Art
  • 266
  • Technique: Wood Carving
  • 268
  • Flemish Painting: Jan Van Eyck
  • 270
  • Technique: The Development of Oil Painting in Flanders
  • 272
  • Italian Renaissance Architecture: Brunelleschi
  • 274
  • The Italian Renaissance Palace
  • 54
  • 276
  • The Beginning of Portraiture in Europe
  • 278
  • Italian Renaissance Painting: Andrea Mantegna
  • 280
  • Technique: Foreshortening
  • 281
  • Technique: Italian Renaissance Drawing
  • 282
  • Italian Renaissance Painting: Sandro Botticelli
  • Sumerian Art
  • 284
  • Italian Renaissance Painting: Leonardo Da Vinci
  • 286
  • Italian Renaissance Painting: Leonardo's the Last Supper
  • 288
  • Italian Renaissance Sculpture: Michelangelo's St. Peter's Pieta
  • 290
  • Part 6
  • Sixteenth-Century Art
  • 292
  • 56
  • Global Timescope: Sixteenth Century
  • 302
  • Italian Renaissance Sculpture: Michelangelo
  • 304
  • Technique: Stone Sculpture
  • 305
  • Italian High Renaissance Portraiture
  • 306
  • German Printmaking: Albrecht Durer
  • 308
  • Ancient Egyptian Art
  • Technique: Printmaking: Engraving and Woodcut
  • 310
  • New St. Peter's Basilica, Rome
  • 312
  • Michelangelo, Sistine Chapel Ceiling
  • 314
  • Raphael, Stanza Della Segnatura
  • 318
  • High Renaissance Painting in Venice
  • 320
  • 58
  • Hieronymus Bosch, "Garden of Earthly Delights" Triptych
  • 322
  • German Painting: Matthias Grunewald, Isenheim Altarpiece
  • 324
  • Titian's Altarpieces
  • Technique: Venetian Painting
  • 328
  • Later Michelangelo and the Development of Mannerism
  • 330
  • Mannerism
  • Ancient Egyptian Art: The Palette of Narmer
  • 332
  • Early Landscape Painting
  • 334
  • Pieter Brueghel the Elder
  • 336
  • Islamic Art of the Ottomans
  • 338
  • Late-Sixteenth-Century Architecture
  • 340
  • Veronese and the Impact of the Counter-Reformation
  • 62
  • 342
  • The Art of Zen Buddhism in Japan
  • 344
  • Part 7
  • Seventeenth-Century Art
  • 346
  • Global Timescope: Seventeenth Century
  • 356
  • Caravaggio and His Influence
  • 358
  • Technique: Relief Sculpture
  • Baroque Genre Painting
  • 362
  • Peter Paul Rubens
  • 364
  • Bernini's Works for St. Peter's
  • 366
  • The Dutch Baroque Group Portrait
  • 368
  • Baroque Architecture: Francesco Borromini
  • 370
  • Experiencing Art
  • 63
  • Bernini, Ecstasy of Saint Teresa
  • 372
  • Technique: The Art of Drawing: Rembrandt
  • 374
  • Rembrandt: Late Paintings
  • 376
  • Technique: Printmaking: Etching and Drypoint
  • 378
  • Diego Velazquez
  • 380
  • The Egyptian Pyramids
  • Baroque Classicism: Nicolas Poussin
  • 382
  • Dutch Still-Life Painting
  • 384
  • The Palace at Versailles
  • 386
  • Japanese Art
  • 388
  • Landscape Painting
  • 390
  • 64
  • Part 8
  • Eighteenth-Century Art
  • 392
  • Global Timescope: Eighteenth Century
  • 400
  • Eighteenth-Century Painting in Europe
  • 402
  • Rococo Architecture and Sculpture
  • 404
  • Eighteenth-Century Portraiture
  • The Egyptian Temple
  • 406
  • Thomas Jefferson and Neoclassical Architecture in the United States
  • 408
  • Neoclassical Painting
  • 410
  • Part 9
  • Nineteenth-Century Art
  • 412
  • Global Timescope: Nineteenth Century
  • 426
  • 66
  • The Continuation of Neoclassicism
  • 428
  • Francisco Goya
  • 430
  • Romanticism
  • 432
  • Romantic Landscape Painting
  • 434
  • Japanese Prints
  • 436
  • Technique: Post-and-Lintel Construction
  • Honore Daumier and the Political Print
  • 438
  • Technique: Lithography
  • 439
  • Romantic Revival Architecture
  • 440
  • American Romantic Painting
  • 442
  • French Realism: Gustave Courbet
  • 444
  • 68
  • Academic Art
  • 446
  • New Materials and Engineering In Architecture
  • 448
  • Technique: New Materials in Architecture
  • 451
  • Late-Nineteenth-Century Revival Architecture
  • 452
  • Edouard Manet
  • 454
  • Technique: How to Read Architectural Diagrams
  • Early Photography and Photographic Technique
  • 456
  • Late-Nineteenth-Century Sculpture
  • 458
  • Impressionism
  • 460
  • Technique: Impressionism
  • 463
  • Edgar Degas, Berthe Morisot, and Mary Cassatt
  • 464
  • 69
  • American Realism: Thomas Eakins and Henry Tanner
  • 466
  • Auguste Rodin
  • 468
  • Winslow Homer
  • 470
  • Technique: Watercolor and Gouache
  • 471
  • Post-Impressionism: Gauguin and Seurat
  • 472
  • Egyptian Tomb Paintings and Painted Reliefs
  • Post-Impressionism: Van Gogh
  • 474
  • Post-Impressionism: Cezanne
  • 478
  • The Beginnings of the Skyscraper
  • 480
  • Edvard Munch
  • 482
  • Part 10
  • Twentieth-Century Art
  • 14
  • 70
  • 484
  • Global Timescope: Twentieth Century
  • 500
  • Fauvism
  • 502
  • African Art and Ritual
  • 504
  • Native American Art
  • 506
  • The Origins of Cubism
  • Technique: Figure-Ground Relationships
  • 510
  • Frank Lloyd Wright, Robie House
  • 512
  • Technique: The Cantilever
  • 513
  • Analytical Cubism
  • 514
  • Synthetic Cubism
  • 516
  • Technique: Collage and Assemblage
  • 71
  • 517
  • The Influence of Cubism
  • 518
  • Abstraction in Sculpture
  • 520
  • Malevich and the Russian Avant-Garde
  • 522
  • German Expressionism: Die Brucke
  • 524
  • German Expressionism: Der Blaue Reiter
  • The Indus Valley Civilization
  • 526
  • Fantasy
  • 528
  • Dada
  • 530
  • De Stijl and The Bauhaus
  • 532
  • Diego Rivera and Mexican Mural Painting
  • 536
  • Modernism in American Painting
  • 72
  • 538
  • Photography
  • 542
  • Surrealism
  • 544
  • Pablo Picasso, Guernica
  • 546
  • Sculpture in the 1930s and 1940s
  • 548
  • International Style Architecture
  • Aegean Art: Minoan and Mycenaean
  • 552
  • Abstract Expressionism and Post-Painterly Abstraction
  • 554
  • Le Corbusier
  • 558
  • Film in Japan
  • 560
  • The Return to the Object: Jasper Johns and Robert Rauschenberg
  • 562
  • Hard-Edge and Op Art
  • 74
  • 564
  • Pop Art
  • 566
  • Photography Since 1945
  • 568
  • Conceptual, Performance, Installation, and Video Art
  • 570
  • The Development of Minimal Art
  • 572
  • Earth and Land Art
  • Ancient China: The Shang Dynasty
  • 574
  • The New Realism
  • 576
  • Postmodernism
  • 578
  • Architecture Since 1970
  • 580
  • Pattern and Decoration
  • 584
  • Neo-Expressionism
  • 78
  • 586
  • Japanese Architecture
  • 588
  • Appropriation
  • 590
  • Avant-Garde Chinese Art
  • 592
  • Recent Developments
  • 594
  • Technique: Chinese Piece-Mold Bronze Casting
  • Viewing Art
  • 79
  • Assyrian and Early Persian Art
  • 80
  • Etruscan Art
  • 82
  • Ancient Greek Art
  • 84
  • Greek Vase Painting
  • 88
  • Greek Sculpture: Archaic Style and Severe Style
  • 18
  • 90
  • Technique: The Classical Orders
  • 92
  • Art Past/Art Present: The Impact of the Ancient Greek Orders
  • 93
  • Greek Doric Architecture
  • 94
  • Greek Sculpture: Severe Style
  • 96
  • Technique: Greek Lost-Wax Bronze Casting
  • Analyzing Art
  • 97
  • Greek Classical-Style Sculpture
  • 98
  • Technique: Contrapposto in Sculpture
  • 99
  • Greek Architecture: The Parthenon, Athens
  • 100
  • Greek Sculpture: The Parthenon
  • 102
  • Greek Sculpture and Painting: Fourth Century BCE
  • 22
  • 104
  • Hellenistic Art
  • 106
  • Early Buddhist Art
  • 110
  • The Art of the Roman Republic
  • 114
  • The Art of the Roman Empire
  • 118
  • Roman Frescoes and Illusionism
  • Art and Artists in History
  • 126
  • Technique: Roman Fresco
  • 128
  • Technique: Illusionism
  • 129
  • Roman Architecture: The Flavian Amphitheater
  • 130
  • Technique: Roman Engineering: The Arch, the Vault, and Concrete
  • 132
  • Roman Architecture: The Pantheon, Rome
Control code
35928328
Dimensions
29 cm
Edition
Third edition
Extent
628 pages
Isbn
9780137409457
Lccn
96049510
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations (some color), color maps
System control number
(OCoLC)35928328
Label
Art past, art present, David G. Wilkins, Bernard Schultz, Katheryn M. Linduff
Publication
Copyright
Bibliography note
Includes bibliographical references (pages 613-615) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • 32
  • 136
  • Roman Public Architecture
  • 138
  • Mesoamerican Art: Teotihuacan
  • 140
  • Part 4
  • Art from 200 to 1400
  • 144
  • Art Past/Art Present: Naming the Middle Ages
  • 146
  • Part 2
  • Global Timescope: The Middle Ages
  • 152
  • Jewish Art: The Synagogue at Dura Europos
  • 154
  • Early Christian Art
  • 156
  • Technique: Christianity and Symbolism
  • 158
  • Early Christian Architecture
  • 160
  • Prehistoric Art
  • The Shinto Shrine at Ise, Japan
  • 162
  • Byzantine Art
  • 164
  • Hagia Sophia
  • 168
  • San Vitale, Ravenna
  • 170
  • Technique: Mosaic
  • 173
  • 36
  • Anglo-Saxon Metalwork
  • 174
  • Hiberno-Saxon Manuscript Illumination
  • 176
  • The Chinese Imperial City of Chang'an
  • 178
  • Buddhist Art at Horyuji
  • 182
  • Technique: Tou-Kung Bracketing
  • 183
  • Global Timescope: Prehistoric Art
  • Hindu Art at Ellora
  • 186
  • Islamic Art at Cordoba
  • 188
  • Carolingian Art
  • 192
  • The Monastery in the West
  • 194
  • Buddhist Art in Indonesia
  • 196
  • 46
  • Chinese Art: Landscape Painting
  • 198
  • Art Past/Art Present: Chinese Aesthetic Theory
  • 201
  • Ottonian Art
  • 202
  • Romanesque Art
  • 204
  • Romanesque Architecture at Conques
  • 208
  • Part 3
  • Romanesque Sculpture
  • 210
  • Later Byzantine Art
  • 212
  • Angkor Wat: Cult of the God-King
  • 214
  • The Japanese Narrative Scroll
  • 216
  • Gothic Art
  • 218
  • Ancient Art
  • The Gothic Cathedral: Chartres
  • 222
  • Technique: Proportions of Gothic Cathedrals, 1160-1230
  • 224
  • Technique: Gothic Engineering
  • 226
  • Technique: Regional Styles of Gothic Architecture
  • 227
  • Gothic Sculpture
  • 228
  • 48
  • Technique: Gothic Stained Glass
  • 230
  • Early Italian Painting
  • 232
  • Giotto, the Arena Chapel Frescoes
  • 234
  • Technique: Tempera and Fresco
  • 236
  • The Royal Art of African Kingdoms
  • 238
  • Art Past/Art Present: The Concept of the Classical
  • Part 5
  • Fifteenth-Century Art
  • 240
  • Global Timescope: Renaissance
  • 250
  • Early Renaissance Sculpture in Florence
  • 252
  • Flemish Painting: The Limbourg Brothers
  • 254
  • Flemish Painting: Robert Campin
  • Part 1
  • 52
  • 256
  • Italian Renaissance Painting: Masaccio
  • 258
  • Technique: Fresco, Oil, and Tempera
  • 261
  • Technique: Scientific Perspective
  • 262
  • Flemish Painting: Hubert and Jan Van Eyck
  • 264
  • Italian Renaissance Sculpture: Lorenzo Ghiberti
  • Global Timescope: Ancient Art
  • 266
  • Technique: Wood Carving
  • 268
  • Flemish Painting: Jan Van Eyck
  • 270
  • Technique: The Development of Oil Painting in Flanders
  • 272
  • Italian Renaissance Architecture: Brunelleschi
  • 274
  • The Italian Renaissance Palace
  • 54
  • 276
  • The Beginning of Portraiture in Europe
  • 278
  • Italian Renaissance Painting: Andrea Mantegna
  • 280
  • Technique: Foreshortening
  • 281
  • Technique: Italian Renaissance Drawing
  • 282
  • Italian Renaissance Painting: Sandro Botticelli
  • Sumerian Art
  • 284
  • Italian Renaissance Painting: Leonardo Da Vinci
  • 286
  • Italian Renaissance Painting: Leonardo's the Last Supper
  • 288
  • Italian Renaissance Sculpture: Michelangelo's St. Peter's Pieta
  • 290
  • Part 6
  • Sixteenth-Century Art
  • 292
  • 56
  • Global Timescope: Sixteenth Century
  • 302
  • Italian Renaissance Sculpture: Michelangelo
  • 304
  • Technique: Stone Sculpture
  • 305
  • Italian High Renaissance Portraiture
  • 306
  • German Printmaking: Albrecht Durer
  • 308
  • Ancient Egyptian Art
  • Technique: Printmaking: Engraving and Woodcut
  • 310
  • New St. Peter's Basilica, Rome
  • 312
  • Michelangelo, Sistine Chapel Ceiling
  • 314
  • Raphael, Stanza Della Segnatura
  • 318
  • High Renaissance Painting in Venice
  • 320
  • 58
  • Hieronymus Bosch, "Garden of Earthly Delights" Triptych
  • 322
  • German Painting: Matthias Grunewald, Isenheim Altarpiece
  • 324
  • Titian's Altarpieces
  • Technique: Venetian Painting
  • 328
  • Later Michelangelo and the Development of Mannerism
  • 330
  • Mannerism
  • Ancient Egyptian Art: The Palette of Narmer
  • 332
  • Early Landscape Painting
  • 334
  • Pieter Brueghel the Elder
  • 336
  • Islamic Art of the Ottomans
  • 338
  • Late-Sixteenth-Century Architecture
  • 340
  • Veronese and the Impact of the Counter-Reformation
  • 62
  • 342
  • The Art of Zen Buddhism in Japan
  • 344
  • Part 7
  • Seventeenth-Century Art
  • 346
  • Global Timescope: Seventeenth Century
  • 356
  • Caravaggio and His Influence
  • 358
  • Technique: Relief Sculpture
  • Baroque Genre Painting
  • 362
  • Peter Paul Rubens
  • 364
  • Bernini's Works for St. Peter's
  • 366
  • The Dutch Baroque Group Portrait
  • 368
  • Baroque Architecture: Francesco Borromini
  • 370
  • Experiencing Art
  • 63
  • Bernini, Ecstasy of Saint Teresa
  • 372
  • Technique: The Art of Drawing: Rembrandt
  • 374
  • Rembrandt: Late Paintings
  • 376
  • Technique: Printmaking: Etching and Drypoint
  • 378
  • Diego Velazquez
  • 380
  • The Egyptian Pyramids
  • Baroque Classicism: Nicolas Poussin
  • 382
  • Dutch Still-Life Painting
  • 384
  • The Palace at Versailles
  • 386
  • Japanese Art
  • 388
  • Landscape Painting
  • 390
  • 64
  • Part 8
  • Eighteenth-Century Art
  • 392
  • Global Timescope: Eighteenth Century
  • 400
  • Eighteenth-Century Painting in Europe
  • 402
  • Rococo Architecture and Sculpture
  • 404
  • Eighteenth-Century Portraiture
  • The Egyptian Temple
  • 406
  • Thomas Jefferson and Neoclassical Architecture in the United States
  • 408
  • Neoclassical Painting
  • 410
  • Part 9
  • Nineteenth-Century Art
  • 412
  • Global Timescope: Nineteenth Century
  • 426
  • 66
  • The Continuation of Neoclassicism
  • 428
  • Francisco Goya
  • 430
  • Romanticism
  • 432
  • Romantic Landscape Painting
  • 434
  • Japanese Prints
  • 436
  • Technique: Post-and-Lintel Construction
  • Honore Daumier and the Political Print
  • 438
  • Technique: Lithography
  • 439
  • Romantic Revival Architecture
  • 440
  • American Romantic Painting
  • 442
  • French Realism: Gustave Courbet
  • 444
  • 68
  • Academic Art
  • 446
  • New Materials and Engineering In Architecture
  • 448
  • Technique: New Materials in Architecture
  • 451
  • Late-Nineteenth-Century Revival Architecture
  • 452
  • Edouard Manet
  • 454
  • Technique: How to Read Architectural Diagrams
  • Early Photography and Photographic Technique
  • 456
  • Late-Nineteenth-Century Sculpture
  • 458
  • Impressionism
  • 460
  • Technique: Impressionism
  • 463
  • Edgar Degas, Berthe Morisot, and Mary Cassatt
  • 464
  • 69
  • American Realism: Thomas Eakins and Henry Tanner
  • 466
  • Auguste Rodin
  • 468
  • Winslow Homer
  • 470
  • Technique: Watercolor and Gouache
  • 471
  • Post-Impressionism: Gauguin and Seurat
  • 472
  • Egyptian Tomb Paintings and Painted Reliefs
  • Post-Impressionism: Van Gogh
  • 474
  • Post-Impressionism: Cezanne
  • 478
  • The Beginnings of the Skyscraper
  • 480
  • Edvard Munch
  • 482
  • Part 10
  • Twentieth-Century Art
  • 14
  • 70
  • 484
  • Global Timescope: Twentieth Century
  • 500
  • Fauvism
  • 502
  • African Art and Ritual
  • 504
  • Native American Art
  • 506
  • The Origins of Cubism
  • Technique: Figure-Ground Relationships
  • 510
  • Frank Lloyd Wright, Robie House
  • 512
  • Technique: The Cantilever
  • 513
  • Analytical Cubism
  • 514
  • Synthetic Cubism
  • 516
  • Technique: Collage and Assemblage
  • 71
  • 517
  • The Influence of Cubism
  • 518
  • Abstraction in Sculpture
  • 520
  • Malevich and the Russian Avant-Garde
  • 522
  • German Expressionism: Die Brucke
  • 524
  • German Expressionism: Der Blaue Reiter
  • The Indus Valley Civilization
  • 526
  • Fantasy
  • 528
  • Dada
  • 530
  • De Stijl and The Bauhaus
  • 532
  • Diego Rivera and Mexican Mural Painting
  • 536
  • Modernism in American Painting
  • 72
  • 538
  • Photography
  • 542
  • Surrealism
  • 544
  • Pablo Picasso, Guernica
  • 546
  • Sculpture in the 1930s and 1940s
  • 548
  • International Style Architecture
  • Aegean Art: Minoan and Mycenaean
  • 552
  • Abstract Expressionism and Post-Painterly Abstraction
  • 554
  • Le Corbusier
  • 558
  • Film in Japan
  • 560
  • The Return to the Object: Jasper Johns and Robert Rauschenberg
  • 562
  • Hard-Edge and Op Art
  • 74
  • 564
  • Pop Art
  • 566
  • Photography Since 1945
  • 568
  • Conceptual, Performance, Installation, and Video Art
  • 570
  • The Development of Minimal Art
  • 572
  • Earth and Land Art
  • Ancient China: The Shang Dynasty
  • 574
  • The New Realism
  • 576
  • Postmodernism
  • 578
  • Architecture Since 1970
  • 580
  • Pattern and Decoration
  • 584
  • Neo-Expressionism
  • 78
  • 586
  • Japanese Architecture
  • 588
  • Appropriation
  • 590
  • Avant-Garde Chinese Art
  • 592
  • Recent Developments
  • 594
  • Technique: Chinese Piece-Mold Bronze Casting
  • Viewing Art
  • 79
  • Assyrian and Early Persian Art
  • 80
  • Etruscan Art
  • 82
  • Ancient Greek Art
  • 84
  • Greek Vase Painting
  • 88
  • Greek Sculpture: Archaic Style and Severe Style
  • 18
  • 90
  • Technique: The Classical Orders
  • 92
  • Art Past/Art Present: The Impact of the Ancient Greek Orders
  • 93
  • Greek Doric Architecture
  • 94
  • Greek Sculpture: Severe Style
  • 96
  • Technique: Greek Lost-Wax Bronze Casting
  • Analyzing Art
  • 97
  • Greek Classical-Style Sculpture
  • 98
  • Technique: Contrapposto in Sculpture
  • 99
  • Greek Architecture: The Parthenon, Athens
  • 100
  • Greek Sculpture: The Parthenon
  • 102
  • Greek Sculpture and Painting: Fourth Century BCE
  • 22
  • 104
  • Hellenistic Art
  • 106
  • Early Buddhist Art
  • 110
  • The Art of the Roman Republic
  • 114
  • The Art of the Roman Empire
  • 118
  • Roman Frescoes and Illusionism
  • Art and Artists in History
  • 126
  • Technique: Roman Fresco
  • 128
  • Technique: Illusionism
  • 129
  • Roman Architecture: The Flavian Amphitheater
  • 130
  • Technique: Roman Engineering: The Arch, the Vault, and Concrete
  • 132
  • Roman Architecture: The Pantheon, Rome
Control code
35928328
Dimensions
29 cm
Edition
Third edition
Extent
628 pages
Isbn
9780137409457
Lccn
96049510
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations (some color), color maps
System control number
(OCoLC)35928328

Library Locations

    • Bixler Art and Music LibraryBorrow it
      5660 Mayflower Hill, Waterville, ME, 04901, US
      44.563869 -69.662636