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The Resource American stories : paintings of everyday life, 1765-1915, edited by H. Barbara Weinberg and Carrie Rebora Barratt ; essays by Carrie Rebora Barratt .. [and others]

American stories : paintings of everyday life, 1765-1915, edited by H. Barbara Weinberg and Carrie Rebora Barratt ; essays by Carrie Rebora Barratt .. [and others]

Contributor
Summary
Presents nearly two hundred extraordinary pictures that tell stories of ordinary people engaged in commonplace tasks and pleasures. The first overview of the subject in thirty-five years, this richly illustrated volume features masterpieces by John Singleton Copley, Charles Willson Peale, William Sidney Mount, George Caleb Bingham, Winslow Homer, Thomas Eakins, John Singer Sargent, Mary Cassatt, John Sloan, and George Bellows, as well as notable examples by some of their key colleagues. These artists captured the temperament of their respective eras, describing and defining in their best works the character of Americans as individuals, citizens, and members of ever-widening communities from the decade before the Revolution to the eve of World War I. The authors--all distinguished curators and scholars--look at how painters told stories through their selections of settings, players, action, and various narrative devices. They also consider the artists' responses to foreign prototypes, travel and training, changing exhibition venues, and audience expectations. The persistence of certain themes--childhood, marriage, the family, and the community; the attainment and reinforcement of citizenship; attitudes toward race; the frontier as reality and myth; and the process and meaning of making art--underscores evolving styles and standards of storytelling. Divided into four chronological sections, the book begins with the years surrounding the American Revolution and the birth of the new republic, when painters such as Copley, Peale, and Samuel F.B. Morse incorporated stories within the expressive bounds of portraiture. During the Jacksonian and pre-Civil War decades from about 1830 to 1860, Mount, Bingham, Lilly Martin Spencer, and others painted genre scenes featuring lighthearted narratives that growing audiences for art could easily read and understand. From 1860 to 1877, artists like Eastman Johnson, Homer, and Eakins responded to the Civil War and, going forward, encoded Reconstruction and the Centennial in pictures designed to help heal the nation's spirit. After the Centennial, Homer and Eakins--joined by colleagues who included William Merritt Chase, Sargent, Cassatt, Sloan, and Bellows--explored new subjects and narrative modes in the increasingly cosmopolitan age leading up to World War I. The result is a visually compelling account of the stories American artists chose to tell, how they told them, and how those stories have been read by observers over time
Language
eng
Work
Publication
Extent
xviii, 222 pages
Note
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Oct. 12, 2009-Jan. 24, 2010, and at the Los Angeles County Museum of Art, Feb. 28-May 23, 2010
Contents
  • Inventing American stories, 1765-1830 / Carrie Rebora Barratt
  • Stories for the public, 1830-1860 / Bruce Robertson
  • Stories of war and reconciliation, 1860-1877 / Margaret C. Conrads
  • Cosmopolitan and candid stories, 1877-1915 / H. Barbara Weinberg
Isbn
9781588393371
Instance
Label
American stories : paintings of everyday life, 1765-1915
Title
American stories
Title remainder
paintings of everyday life, 1765-1915
Statement of responsibility
edited by H. Barbara Weinberg and Carrie Rebora Barratt ; essays by Carrie Rebora Barratt .. [and others]
Title variation
Paintings of everyday life, 1765-1915
Contributor
Subject
Genre
Language
eng
Summary
Presents nearly two hundred extraordinary pictures that tell stories of ordinary people engaged in commonplace tasks and pleasures. The first overview of the subject in thirty-five years, this richly illustrated volume features masterpieces by John Singleton Copley, Charles Willson Peale, William Sidney Mount, George Caleb Bingham, Winslow Homer, Thomas Eakins, John Singer Sargent, Mary Cassatt, John Sloan, and George Bellows, as well as notable examples by some of their key colleagues. These artists captured the temperament of their respective eras, describing and defining in their best works the character of Americans as individuals, citizens, and members of ever-widening communities from the decade before the Revolution to the eve of World War I. The authors--all distinguished curators and scholars--look at how painters told stories through their selections of settings, players, action, and various narrative devices. They also consider the artists' responses to foreign prototypes, travel and training, changing exhibition venues, and audience expectations. The persistence of certain themes--childhood, marriage, the family, and the community; the attainment and reinforcement of citizenship; attitudes toward race; the frontier as reality and myth; and the process and meaning of making art--underscores evolving styles and standards of storytelling. Divided into four chronological sections, the book begins with the years surrounding the American Revolution and the birth of the new republic, when painters such as Copley, Peale, and Samuel F.B. Morse incorporated stories within the expressive bounds of portraiture. During the Jacksonian and pre-Civil War decades from about 1830 to 1860, Mount, Bingham, Lilly Martin Spencer, and others painted genre scenes featuring lighthearted narratives that growing audiences for art could easily read and understand. From 1860 to 1877, artists like Eastman Johnson, Homer, and Eakins responded to the Civil War and, going forward, encoded Reconstruction and the Centennial in pictures designed to help heal the nation's spirit. After the Centennial, Homer and Eakins--joined by colleagues who included William Merritt Chase, Sargent, Cassatt, Sloan, and Bellows--explored new subjects and narrative modes in the increasingly cosmopolitan age leading up to World War I. The result is a visually compelling account of the stories American artists chose to tell, how they told them, and how those stories have been read by observers over time
Member of
Cataloging source
DLC
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • bibliography
  • catalogs
http://library.link/vocab/relatedWorkOrContributorDate
1942-
http://library.link/vocab/relatedWorkOrContributorName
  • Weinberg, H. Barbara
  • Barratt, Carrie Rebora
  • Metropolitan Museum of Art (New York, N.Y.)
  • Los Angeles County Museum of Art
http://library.link/vocab/subjectName
  • Genre painting, American
  • Manners and customs in art
  • United States
Label
American stories : paintings of everyday life, 1765-1915, edited by H. Barbara Weinberg and Carrie Rebora Barratt ; essays by Carrie Rebora Barratt .. [and others]
Instantiates
Publication
Copyright
Note
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Oct. 12, 2009-Jan. 24, 2010, and at the Los Angeles County Museum of Art, Feb. 28-May 23, 2010
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Inventing American stories, 1765-1830 / Carrie Rebora Barratt -- Stories for the public, 1830-1860 / Bruce Robertson -- Stories of war and reconciliation, 1860-1877 / Margaret C. Conrads -- Cosmopolitan and candid stories, 1877-1915 / H. Barbara Weinberg
Control code
326626424
Dimensions
32 cm
Extent
xviii, 222 pages
Isbn
9781588393371
Lccn
2009026663
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Note
Colby: Gift of Peter and Paula Lunder (Annex copy)
Other physical details
illustrations (chiefly color)
System control number
(OCoLC)326626424
Label
American stories : paintings of everyday life, 1765-1915, edited by H. Barbara Weinberg and Carrie Rebora Barratt ; essays by Carrie Rebora Barratt .. [and others]
Publication
Copyright
Note
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Oct. 12, 2009-Jan. 24, 2010, and at the Los Angeles County Museum of Art, Feb. 28-May 23, 2010
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Inventing American stories, 1765-1830 / Carrie Rebora Barratt -- Stories for the public, 1830-1860 / Bruce Robertson -- Stories of war and reconciliation, 1860-1877 / Margaret C. Conrads -- Cosmopolitan and candid stories, 1877-1915 / H. Barbara Weinberg
Control code
326626424
Dimensions
32 cm
Extent
xviii, 222 pages
Isbn
9781588393371
Lccn
2009026663
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Note
Colby: Gift of Peter and Paula Lunder (Annex copy)
Other physical details
illustrations (chiefly color)
System control number
(OCoLC)326626424

Subject

Genre

Member of

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      44.563869 -69.662636

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