Borrow it
Coverart for item
The Resource ¡Printing the revolution! : the rise and impact of Chicano graphics, 1965 to now, edited by E. Carmen Ramos ; contributions by E. Carmen Ramos, Tatiana Reinoza, Terezita Romo, and Claudia E. Zapata

¡Printing the revolution! : the rise and impact of Chicano graphics, 1965 to now, edited by E. Carmen Ramos ; contributions by E. Carmen Ramos, Tatiana Reinoza, Terezita Romo, and Claudia E. Zapata

Editor
Contributor
Summary
In the 1960s, activist Chicano artists forged a history of printmaking that remains vital today. Many artists came of age during the civil rights, labor, anti-war, feminist and LGBTQ+ movements and channeled the period's social activism into statements that announced a new political and cultural consciousness among people of Mexican descent in the United States. ¡Printing the Revolution! explores the rise of Chicano graphics within these early social movements and the ways in which Chicanx artists since then have advanced printmaking practices attuned to social justice. More than reflecting the need for social change, the works featured in the catalogue and exhibition project and revise notions of Chicanx identity, spur political activism, and school viewers in new understandings of U.S. and international history. By employing diverse visual and artistic modes from satire, to portraiture, to appropriation, conceptualism, and politicized pop, the artists in this exhibition build a graphic tradition that has yet to be fully integrated into the history of U.S. printmaking. This exhibition is the first to unite historic civil rights-era prints alongside works by contemporary printmakers, including several that embrace expanded graphics that exist beyond the paper substrate. While the dominant mode of printmaking among Chicanx artists remains screenprinting, the installation features works in a wide range of techniques and presentation strategies, from installation art to public interventions, augmented reality, and shareable graphics that circulate in the digital realm. The exhibition is also the first to consider how Chicanx mentors, print centers, and networks nurtured other artists, including several who drew inspiration from the example of Chicanx printmaking. Featured artists and collectives include Rupert García, Malaquias Montoya, Ester Hernández, the Royal Chicano Air Force, David Avalos, Elizabeth Sisco, Louis Hock, Sandra Fernández, Juan de Dios Mora, the Dominican York Proyecto Grafíca, Enrique Chagoya, René Castro, Juan Fuentes, and Linda Lucero, among others. ¡Printing the Revolution! features more than 100 works drawn from the Smithsonian American Art Museum's collection of Latinx art. The Museum's Chicanx graphics holdings rose significantly with a gift in 1995 from the renowned scholar Tomás Ybarra-Frausto. Since then, other major donations and an ambitious acquisition program have built one of the largest museum collections of Chicanx graphics on the East Coast
Language
eng
Work
Publication
Extent
340 pages
Note
"Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, November 20, 2020, through August 8, 2021"--Title page verso
Contents
  • Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now
  • E. Carmen Ramos
  • Aesthetics of the message : Chicana/o posters, 1965-1987
  • Terezita Romo
  • War at home : conceptual iconoclasm in American printmaking
  • Tatiana Reinoza
  • Chicanx graphics in the digital age
  • Claudia E. Zapata
Isbn
9780691210803
Instance
Label
¡Printing the revolution! : the rise and impact of Chicano graphics, 1965 to now
Title
¡Printing the revolution!
Title remainder
the rise and impact of Chicano graphics, 1965 to now
Statement of responsibility
edited by E. Carmen Ramos ; contributions by E. Carmen Ramos, Tatiana Reinoza, Terezita Romo, and Claudia E. Zapata
Contributor
Contributor
Editor
Host institution
Organizer
Subject
Genre
Language
eng
Summary
In the 1960s, activist Chicano artists forged a history of printmaking that remains vital today. Many artists came of age during the civil rights, labor, anti-war, feminist and LGBTQ+ movements and channeled the period's social activism into statements that announced a new political and cultural consciousness among people of Mexican descent in the United States. ¡Printing the Revolution! explores the rise of Chicano graphics within these early social movements and the ways in which Chicanx artists since then have advanced printmaking practices attuned to social justice. More than reflecting the need for social change, the works featured in the catalogue and exhibition project and revise notions of Chicanx identity, spur political activism, and school viewers in new understandings of U.S. and international history. By employing diverse visual and artistic modes from satire, to portraiture, to appropriation, conceptualism, and politicized pop, the artists in this exhibition build a graphic tradition that has yet to be fully integrated into the history of U.S. printmaking. This exhibition is the first to unite historic civil rights-era prints alongside works by contemporary printmakers, including several that embrace expanded graphics that exist beyond the paper substrate. While the dominant mode of printmaking among Chicanx artists remains screenprinting, the installation features works in a wide range of techniques and presentation strategies, from installation art to public interventions, augmented reality, and shareable graphics that circulate in the digital realm. The exhibition is also the first to consider how Chicanx mentors, print centers, and networks nurtured other artists, including several who drew inspiration from the example of Chicanx printmaking. Featured artists and collectives include Rupert García, Malaquias Montoya, Ester Hernández, the Royal Chicano Air Force, David Avalos, Elizabeth Sisco, Louis Hock, Sandra Fernández, Juan de Dios Mora, the Dominican York Proyecto Grafíca, Enrique Chagoya, René Castro, Juan Fuentes, and Linda Lucero, among others. ¡Printing the Revolution! features more than 100 works drawn from the Smithsonian American Art Museum's collection of Latinx art. The Museum's Chicanx graphics holdings rose significantly with a gift in 1995 from the renowned scholar Tomás Ybarra-Frausto. Since then, other major donations and an ambitious acquisition program have built one of the largest museum collections of Chicanx graphics on the East Coast
Biography type
contains biographical information
Cataloging source
DLC
Government publication
federal national government publication
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • bibliography
  • catalogs
http://library.link/vocab/relatedWorkOrContributorName
  • Ramos, E. Carmen,
  • Reinoza, Tatiana,
  • Romo, Terecita,
  • Zapata, Claudia E.
  • Reinoza, Tatiana
  • Romo, Terecita
  • Zapata, Claudia E.
  • Smithsonian American Art Museum,
http://library.link/vocab/subjectName
  • Smithsonian American Art Museum
  • Mexican American prints
  • Art and society
  • Art and society
  • Art
  • ART / Prints
  • Art and society
  • Mexican American prints
  • United States
Label
¡Printing the revolution! : the rise and impact of Chicano graphics, 1965 to now, edited by E. Carmen Ramos ; contributions by E. Carmen Ramos, Tatiana Reinoza, Terezita Romo, and Claudia E. Zapata
Instantiates
Publication
Note
"Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, November 20, 2020, through August 8, 2021"--Title page verso
Bibliography note
Includes bibliographical references (pages 313-326) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
  • text
  • still image
Content type code
  • txt
  • sti
Content type MARC source
  • rdacontent
  • rdacontent
Contents
  • Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now
  • E. Carmen Ramos
  • Aesthetics of the message : Chicana/o posters, 1965-1987
  • Terezita Romo
  • War at home : conceptual iconoclasm in American printmaking
  • Tatiana Reinoza
  • Chicanx graphics in the digital age
  • Claudia E. Zapata
Control code
1159633248
Dimensions
31 cm
Extent
340 pages
Isbn
9780691210803
Lccn
2020027314
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations (chiefly color)
System control number
(OCoLC)1159633248
Label
¡Printing the revolution! : the rise and impact of Chicano graphics, 1965 to now, edited by E. Carmen Ramos ; contributions by E. Carmen Ramos, Tatiana Reinoza, Terezita Romo, and Claudia E. Zapata
Publication
Note
"Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, November 20, 2020, through August 8, 2021"--Title page verso
Bibliography note
Includes bibliographical references (pages 313-326) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
  • text
  • still image
Content type code
  • txt
  • sti
Content type MARC source
  • rdacontent
  • rdacontent
Contents
  • Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now
  • E. Carmen Ramos
  • Aesthetics of the message : Chicana/o posters, 1965-1987
  • Terezita Romo
  • War at home : conceptual iconoclasm in American printmaking
  • Tatiana Reinoza
  • Chicanx graphics in the digital age
  • Claudia E. Zapata
Control code
1159633248
Dimensions
31 cm
Extent
340 pages
Isbn
9780691210803
Lccn
2020027314
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations (chiefly color)
System control number
(OCoLC)1159633248

Subject

Genre

Library Locations

    • Bixler Art and Music LibraryBorrow it
      5660 Mayflower Hill, Waterville, ME, 04901, US
      44.563869 -69.662636

Library Links

Structured data from the Bibframe namespace is licensed under the Creative Commons Attribution 4.0 International License by Colby College Libraries. Additional terms may apply to data associated with third party namespaces.